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Writing on water : the sounds of Jewish prayer / Judit Niran Frigyesi.

By: Material type: TextTextLanguage: English Original language: Hungarian Publisher: Budapest, Hungary ; New York, NY : Central European University Press, 2018Copyright date: ©2018Description: 1 online resource (ix, 269 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9789633862582
  • 9633862582
Other title:
  • Sounds of Jewish prayer
Uniform titles:
  • Jelek a vizen. English
Subject(s): Genre/Form: Additional physical formats: Print version:: Writing on water.DDC classification:
  • 296.4/509439 23
LOC classification:
  • DS135.H9 F7413 2018
Online resources: Summary: ""Writing on Water" is a first-hand account of the thoughts, lives and rituals of the secretly practicing strictly religious Jews during the era of Communism in Eastern Europe (primarily in Budapest) with especial focus on their traditional ritual chant as part of a total acoustic experience ("soundscape"). The book is based on extensive fieldwork and analysis of orally transmitted material. The subject matter is unique both in the choice of the communities and its focus on sound. I attempt to explain how melodies and soundscapes become the sustaining/protective "environment", as well as the vehicle, for the expression of world-orientation - in a situation when open speech is inconceivable. The first part of the book is a journey toward the lives/sounds of these communities, the second contains documentary interviews, and the third describes the communities' disintegration after 1990. The book conveys scholarly results through poetry, prose-poems and art-photos"-- Provided by publisher
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Originally published in Hungarian.

Based on the author's fieldwork during the era of communism in Budapest and Prague.

""Writing on Water" is a first-hand account of the thoughts, lives and rituals of the secretly practicing strictly religious Jews during the era of Communism in Eastern Europe (primarily in Budapest) with especial focus on their traditional ritual chant as part of a total acoustic experience ("soundscape"). The book is based on extensive fieldwork and analysis of orally transmitted material. The subject matter is unique both in the choice of the communities and its focus on sound. I attempt to explain how melodies and soundscapes become the sustaining/protective "environment", as well as the vehicle, for the expression of world-orientation - in a situation when open speech is inconceivable. The first part of the book is a journey toward the lives/sounds of these communities, the second contains documentary interviews, and the third describes the communities' disintegration after 1990. The book conveys scholarly results through poetry, prose-poems and art-photos"-- Provided by publisher

Online resource; title from PDF title page (JSTOR, viewed July 22, 2019).

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