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Frantz Fanon's Black skin, white masks : new interdisciplinary essays / Max Silverman, editor.

Contributor(s): Material type: TextTextSeries: Texts in culturePublisher: Manchester : Manchester University Press, [2012]Copyright date: ©2005Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781526130693
  • 1526130696
Subject(s): Genre/Form: DDC classification:
  • 305.8 23
LOC classification:
  • GN645
Online resources:
Contents:
Frantz Fanon's BLACK SKIN WHITE MASKS: New interdisciplinary essays; Half Title Page; Title Page; Copyright; Contents; Series introduction; Preface; Chronology; Introduction: MAX SILVERMAN; 1. Adieu foulard. Adieu madras: DAVID MACEY; 2. Where to begin? 'Le commencement' in Peau noire, masques blancs and in creolisation: FRANÇOISE VERGÉS; 3. Colonial racisms in the 'métropole': reading Peau noire, masques blancs in context: JIM HOUSE; 4. Frantz Fanon and the Black-Jewish imaginary: BRYAN CHEYETTE; 5. The European knows and does not know: Fanon's response to Sartre: ROBERT BERNASCONI.
6. Reflections on the human question: MAX SILVERMAN7. Children of violence: VICKY LEBEAU; 8. En moi: Frantz Fanon and René Maran: DAVID MARRIOTT; Notes on contributors; Index.
Summary: First published in 1952, Frantz Fanon's 'Black Skin, White Masks' is one of the most important anti-colonial works of the post-war period. It is both a profound critique of the conscious and unconcious ways in which colonialism brutalises the colonised and a passionate cry from deep within a black body alienated by the colonial system and in search of liberation from it. This volume is the first collection of essays specifically devoted to Fanon's text. It offers a wide range of interpretations of the text by leading scholars in a number of disciplines. Chapters deal with Fanon's Martinican her.
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Originally published: 2005.

Frantz Fanon's BLACK SKIN WHITE MASKS: New interdisciplinary essays; Half Title Page; Title Page; Copyright; Contents; Series introduction; Preface; Chronology; Introduction: MAX SILVERMAN; 1. Adieu foulard. Adieu madras: DAVID MACEY; 2. Where to begin? 'Le commencement' in Peau noire, masques blancs and in creolisation: FRANÇOISE VERGÉS; 3. Colonial racisms in the 'métropole': reading Peau noire, masques blancs in context: JIM HOUSE; 4. Frantz Fanon and the Black-Jewish imaginary: BRYAN CHEYETTE; 5. The European knows and does not know: Fanon's response to Sartre: ROBERT BERNASCONI.

6. Reflections on the human question: MAX SILVERMAN7. Children of violence: VICKY LEBEAU; 8. En moi: Frantz Fanon and René Maran: DAVID MARRIOTT; Notes on contributors; Index.

First published in 1952, Frantz Fanon's 'Black Skin, White Masks' is one of the most important anti-colonial works of the post-war period. It is both a profound critique of the conscious and unconcious ways in which colonialism brutalises the colonised and a passionate cry from deep within a black body alienated by the colonial system and in search of liberation from it. This volume is the first collection of essays specifically devoted to Fanon's text. It offers a wide range of interpretations of the text by leading scholars in a number of disciplines. Chapters deal with Fanon's Martinican her.

Includes bibliographical references and index.

Online resource; title from PDF title page (EBSCO, viewed June 11, 2018).

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