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Volpone's bastards : theorising Jonson's city comedy / Isaac Hui.

By: Material type: TextTextPublisher: Edinburgh : Edinburgh University Press, [2018]Copyright date: ©2018Description: 1 online resource (v, 186 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781474423489
  • 1474423485
Subject(s): Genre/Form: Additional physical formats: Print version:: Volpone's bastards.DDC classification:
  • 822/.309 23
LOC classification:
  • PR2622 .H85 2018eb
Online resources:
Contents:
Introduction: Jonson and comedy -- 'For pleasing imitation of greater men's action': Nano the Anamorphic Ape -- 'Think me cold, frozen, and impotent, and so report me?': Volpone and his 'castrone' complex -- 'The case appears too liquid': the two sides of androgyno -- 'I fear I shall begin to grow in love with my dear self': the parasite and his 'mirror stage' -- Jonson's comedy of bastardy -- Conclusion: 'fools, they are the only nation': rereading the interlude and beyond.
Summary: Through studying Volpone's three bastard children, this book discusses how Jonson's comedies are built upon the tension between death, castration and nothingness on one hand, and the comic slippage of identities in the city on the other.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references and index.

Introduction: Jonson and comedy -- 'For pleasing imitation of greater men's action': Nano the Anamorphic Ape -- 'Think me cold, frozen, and impotent, and so report me?': Volpone and his 'castrone' complex -- 'The case appears too liquid': the two sides of androgyno -- 'I fear I shall begin to grow in love with my dear self': the parasite and his 'mirror stage' -- Jonson's comedy of bastardy -- Conclusion: 'fools, they are the only nation': rereading the interlude and beyond.

Print version record.

Through studying Volpone's three bastard children, this book discusses how Jonson's comedies are built upon the tension between death, castration and nothingness on one hand, and the comic slippage of identities in the city on the other.

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