Conflict, commerce, and an aesthetic of appropriation in the Italian maritime cities, 1000-1150 / by Karen Rose Mathews.
Material type:
TextSeries: Medieval Mediterranean ; v.112.Publisher: Leiden ; Boston : Brill, [2018]Description: 1 online resource (ix, 236 pages)Content type: - text
- computer
- online resource
- 9789004360808
- 9004360808
- Monuments -- Italy -- History -- To 1500
- Appropriation (Architecture) -- Italy -- History -- To 1500
- Building materials -- Recycling -- Italy -- History -- To 1500
- Architecture and society -- Italy -- History -- To 1500
- City-states -- Italy -- Civilization
- Italy -- Civilization -- 476-1268
- Cités-États -- Italie -- Civilisation
- Italie -- Civilisation -- 476-1268
- ARCHITECTURE / Adaptive Reuse & Renovation
- ARCHITECTURE / Buildings / Landmarks & Monuments
- ARCHITECTURE / Professional Practice
- ARCHITECTURE / Reference
- Appropriation (Architecture)
- Architecture and society
- Building materials -- Recycling
- Civilization
- Monuments
- Italy
- To 1500
- 720.945/09021 23
- NA9348.I8 M38 2018
| Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
|---|---|---|---|---|---|---|---|---|
Electronic-Books
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references and index.
Introduction : visualizing commerce and conflict in the maritime cities of Medieval Italy -- Local traditions and Norman innovations in the artistic culture of Southern Italy -- Emulation of and appropriation from Byzantium in Venetian visual culture -- The interplay of Islamic and Roman spolia on Pisan churches -- Rivalry with Pisa and spolia as plunder of war in Medieval Genoa -- Conclusion : shifting significations of the spolia aesthetic.
Description based on online resource; title from digital title page (viewed on February 28, 2019).
In Conflict, Commerce, and an Aesthetic of Appropriation in the Italian Maritime Cities, 1000-1150 , Karen Rose Mathews analyzes the relationship between war, trade, and the use of spolia (appropriated objects from past and foreign cultures) as architectural decoration in the public monuments of the Italian maritime republics in the eleventh and twelfth centuries. This comparative study addressing five urban centers argues that the multivalence of spolia and their openness to new interpretations made them the ideal visual form to define a distinct Mediterranean identity for the inhabitants of these cities, celebrating the wealth and prestige that resulted from the paired endeavors of war and commerce while referencing the cultures across the sea that inspired the greatest hostility, fear, or admiration.
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