Theatre history studies. 2017, Volume 36 / edited by Sara Freeman.

Print version record.

Includes bibliographical references.

Resisting Arlecchino's Mask: The Case of Marcello Moretti / Gabrielle Houle -- Making Space for Performance: Theatrical-Architectural Nationalism in Postindependence Ghana / David Afriyie Donkor -- Preparing Boys for War: J.M. Barrie's Peter Pan Enlists in World War I's 'Great Adventure' / Laura Ferdinand Feldmeyer -- Not Just Rock 'n' Roll: Chicago Theatre, 1984-1990 / Julie Jackson -- New Writing and Theatre History / Sara Freeman -- New Plays in New Tongues: Bilingualism and Immigration at the New Italian Theatre in France / Matthew McMahan -- The Waterloo Summer of the Prince of Wales's Theatre: New Writing, Old Friends, and Early Realism in the Victorian Theatre / Shannon Epplett -- Chekhov's Three Sisters: A Proto-Poststructuralist Experiment / Sarah Wyman -- Historicizing Shakesfear and Translating Shakespeare Anew / Lezlie C. Cross -- A New Noble Kinsmen: The Play On! Project and Making New Plays Out of Old / Martine Kei Green-Rogers and Alex N. Vermillion -- Making New Theatre Together: The First Writers' Group at the Royal Court Theatre and Its Legacy Within the Young Writers' Programme / Nicholas Holden -- New Writing in a Populist Context: A Play, a Pie, and a Pint / Deana Nichols -- American Playwriting and the Now New / Todd London -- The Robert A. Schanke Award-Winning Essay: "Black Folk's Theatre to Black Lives Matter: The Black Revolution on Campus / La Donna L. Forsgren -- Book reviews.

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