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Parody, irony and ideology in the fiction of Ihara Saikaku / by David J. Gundry.

By: Material type: TextTextSeries: Brill's Japanese studies library ; v. 58.Publisher: Leiden ; Boston : Brill, 2017Description: 1 online resource (xiii, 300 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9789004344310
  • 9004344314
Subject(s): Genre/Form: Additional physical formats: Print version:: Parody, irony and ideology in the fiction of Ihara Saikaku.DDC classification:
  • 895.63/32 23
LOC classification:
  • PL794.Z5 G86 2017
Online resources:
Contents:
Summary: The first monograph published in English on Ihara Saikaku's fiction, David J. Gundry's lucid, compelling study examines the tension reflected in key works by Edo-period Japan's leading writer of 'floating world' literature between the official societal hierarchy dictated by the Tokugawa shogunate's hereditary status-group system and the era's de facto, fluid, wealth-based social hierarchy. The book's nuanced, theoretically engaged explorations of Saikaku's narratives' uses of irony and parody demonstrate how these often function to undermine their own narrators' intermittent moralizing. Gundry also analyzes these texts' depiction of the fleeting pleasures of love, sex, wealth and consumerism as Buddhistic object lessons in the illusory nature of phenomenal reality, the mastery of which leads to a sort of enlightenment.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references and index.

Online resource; title from digital title page (viewed on August 24, 2017).

Preliminary Material -- Introduction -- Aspirations Above Their Station: The Life of an Amorous Man -- Chōnin High and Low: Five Women Who Loved Love -- Paragons of Wickedness: Twenty Cases of Filial Impiety in Japan -- The Brave, the Bad and the Ridiculous: Exemplary Tales of the Way of the Warrior -- Afterword -- Bibliography -- Index.

The first monograph published in English on Ihara Saikaku's fiction, David J. Gundry's lucid, compelling study examines the tension reflected in key works by Edo-period Japan's leading writer of 'floating world' literature between the official societal hierarchy dictated by the Tokugawa shogunate's hereditary status-group system and the era's de facto, fluid, wealth-based social hierarchy. The book's nuanced, theoretically engaged explorations of Saikaku's narratives' uses of irony and parody demonstrate how these often function to undermine their own narrators' intermittent moralizing. Gundry also analyzes these texts' depiction of the fleeting pleasures of love, sex, wealth and consumerism as Buddhistic object lessons in the illusory nature of phenomenal reality, the mastery of which leads to a sort of enlightenment.

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