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The Shakespearean inside : a study of the complete soliloquies and solo asides / Marcus Nordlund.

By: Material type: TextTextPublication details: [Place of publication not identified] : Edinburgh Univ Press, 2016.Edition: Annotated editionDescription: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781474418980
  • 1474418988
Subject(s): Genre/Form: Additional physical formats: Print version:: No titleDDC classification:
  • 822.3/3 23
LOC classification:
  • PR2976 .N67 2017eb
Online resources: Summary: The Shakespearean Inside is a study of all soliloquies and solo asides (dubbed ́⁰₋insides" for short) in Shakespearé⁰₉s complete plays. The first step in the research process was the creation of the Shakespearean Inside Database (SID) where these speeches were annotated according to variables of genuine literary interest (such as act, dramatic subgenre, probable time of composition, dramatic speech acts, selected figures of speech, and character attributes such as gender and class). Such comprehensive and detailed data makes it possible to generalize dependably about Shakespearé⁰₉s authorial habits, and, by extension, to identify situations where the author departs in interesting ways from his habitual practices. The monograph uses these broad patterns and significant exceptions as a backdrop for fresh interpretations of various Shakespeare plays (from early works such as The Taming of the Shrew and The Two Gentlemen of Verona to mature tragedies like Hamlet and late plays like The Tempest and The Two Noble Kinsmen).
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The Shakespearean Inside is a study of all soliloquies and solo asides (dubbed ́⁰₋insides" for short) in Shakespearé⁰₉s complete plays. The first step in the research process was the creation of the Shakespearean Inside Database (SID) where these speeches were annotated according to variables of genuine literary interest (such as act, dramatic subgenre, probable time of composition, dramatic speech acts, selected figures of speech, and character attributes such as gender and class). Such comprehensive and detailed data makes it possible to generalize dependably about Shakespearé⁰₉s authorial habits, and, by extension, to identify situations where the author departs in interesting ways from his habitual practices. The monograph uses these broad patterns and significant exceptions as a backdrop for fresh interpretations of various Shakespeare plays (from early works such as The Taming of the Shrew and The Two Gentlemen of Verona to mature tragedies like Hamlet and late plays like The Tempest and The Two Noble Kinsmen).

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