Charles Henri Ford : between modernism and postmodernism / Alexander Howard.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 9781474278591
- 1474278590
- 9781474278584
- 1474278582
- 9781474278584
- 9781474278607
- 1474278604
- Ford, Charles Henri -- Criticism and interpretation
- Ford, Charles Henri
- Modernism (Literature) -- United States
- Modernisme (Littérature) -- États-Unis
- Literary studies: poetry & poets
- Literature: history & criticism
- Literary studies: from c 1900
- LITERARY CRITICISM -- American -- General
- LITERARY CRITICISM -- Poetry
- LITERARY CRITICISM -- Gay & Lesbian
- Modernism (Literature)
- United States
- 811/.52 23
- PS3511.O392 Z66 2017eb
- LIT004020 | LIT014000 | LIT004160
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references and index.
"The first American surrealist poet, a prolific literary editor and a seminal influence on the New York School of poetry, Charles Henri Ford was a key figure in the transition from late modernist to postmodern culture in America. Charles Henri Ford: Between Modernism and Postmodernism is the first book-length scholarly study of this important literary figure. Drawing on new archival research -- including explorations of Ford's correspondence with the likes of Ezra Pound, Gertrude Stein, William Carlos Williams, Djuna Barnes and many others -- the book explores the full impact of Ford's contribution to 20th-century American literary culture."-- Provided by publisher
"Drawing on new archival material - including his correspondence with such major figures as Ezra Pound, William Carlos Williams and Djuna Barnes - this is the first book-length study of the work of Charles Henri Ford, a pivotal figure in late modernist American literary culture"-- Provided by publisher
Machine generated contents note: -- Introduction: Water from a Bucket or, the the Hidden Modernist Histories of Charles Henri Ford -- Chapter 1: Blues and the Belated Renovation of Modernism -- Chapter 2: Community, Circularity, Sociability, Postcards -- Chapter 3: Building Up and Breaking Down: Surrealism, New York, New Criticism -- Chapter 4: Spare Parts, or, Caught Between Pop and a Historical Hard Place -- Chapter 5: Multitudes, Mirrors, Crystals, Haiku, Home -- Conclusion: 'I Will Be What I Am' or, the Camp Modernist Legacy of Charles Henri Ford -- Bibliography -- Index.
Print version record.
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