Word becomes image : openwork vessels as a reflection of late antique transformation / Hallie G. Meredith.

By:

Meredith, Hallie, 1976- [author.]

Contributor(s):

Archaeopress [publisher.]

Material type: Text

text
still image

Media type:

computer

Carrier type:

online resource

ISBN:

1784911305
9781784911300

Subject(s):

Genre/Form:

Additional physical formats: Print version:: No titleDDC classification:

736.0937 23

LOC classification:

NK5500

Online resources:

Click here to access online

Summary: This study presents a diachronic investigation providing a rich case study as well as an approach tracing the contours of a category of Roman material culture defined by the Roman period technique of openwork carving. As the first comprehensive assemblage of openwork vessels from Classical to late Antiquity, this work offers primary evidence documenting a key example of the fundamental shift from naturalism to abstraction in which inscriptions are transformed and word becomes image. A glass blower herself, Hallie Meredith poses questions about process, tactility and reception providing a clear picture of the original contexts of production and reception demonstrated by the Roman technique of openwork carving.

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Item type	Home library	Collection	Call number	Materials specified	Status	Date due	Barcode
Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Includes bibliographical references.

This study presents a diachronic investigation providing a rich case study as well as an approach tracing the contours of a category of Roman material culture defined by the Roman period technique of openwork carving. As the first comprehensive assemblage of openwork vessels from Classical to late Antiquity, this work offers primary evidence documenting a key example of the fundamental shift from naturalism to abstraction in which inscriptions are transformed and word becomes image. A glass blower herself, Hallie Meredith poses questions about process, tactility and reception providing a clear picture of the original contexts of production and reception demonstrated by the Roman technique of openwork carving.

Specialized.

Online resource; title from home page (viewed on March 15, 2016).

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