Questioning nature : British women's scientific writing and literary originality, 1750-1830 / Melissa Bailes.
Material type: TextPublication details: Charlottesville : University of Virginia Press, 2017.Description: 1 online resource (vi, 263 pages)Content type:- text
- computer
- online resource
- 9780813939773
- 0813939771
- English literature -- Women authors -- History and criticism
- English literature -- 18th century -- History and criticism
- Natural history in literature
- Women authors, English
- Écrits de femmes anglais -- Histoire et critique
- Littérature anglaise -- 18e siècle -- Histoire et critique
- Sciences naturelles dans la littérature
- Écrivaines anglaises
- LITERARY CRITICISM -- European -- English, Irish, Scottish, Welsh
- English literature
- English literature -- Women authors
- Natural history in literature
- Women authors, English
- 1700-1799
- 820.9/9287 23
- PR113 .B35 2017eb
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Electronic-Books | OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references and index.
I. Gender and Nationalism: Describing and Defining Literary Naturalism -- 1. To Teach and to Please : Anna Barbauld's Original Poetry and Educational Prose of Natural History -- 2. Hybrid Britons : West Indian Colonial Identity and Georgic Originality in Maria Riddell's Natural History -- II. Poetic and Biological Forms : Plagiarism, Originality, and Hybridity -- 3. Evolution of the Plagiarist : Natural History in Anna Seward's Order of Poetics -- 4. Plagiarism and the Poet-Naturalist : Charlotte Smith's Collective Originality -- III. Revolution and Geological Sciences : Translations, Beginnings, and Endings -- 5. Translating Cosmopolitanism : Revolution in Helen Maria Williams's Geopolitical Nature -- 6. Reconstructing Origins : The Psychologization of Geological Catastrophe in Mary Shelley's The Last Man -- Conclusion : Felicia Hemans, Geological Bodies, and the Fate of Originality.
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