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Questioning nature : British women's scientific writing and literary originality, 1750-1830 / Melissa Bailes.

By: Material type: TextTextPublication details: Charlottesville : University of Virginia Press, 2017.Description: 1 online resource (vi, 263 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780813939773
  • 0813939771
Subject(s): Genre/Form: Additional physical formats: Print version:: Questioning nature.DDC classification:
  • 820.9/9287 23
LOC classification:
  • PR113 .B35 2017eb
Online resources:
Contents:
I. Gender and Nationalism: Describing and Defining Literary Naturalism -- 1. To Teach and to Please : Anna Barbauld's Original Poetry and Educational Prose of Natural History -- 2. Hybrid Britons : West Indian Colonial Identity and Georgic Originality in Maria Riddell's Natural History -- II. Poetic and Biological Forms : Plagiarism, Originality, and Hybridity -- 3. Evolution of the Plagiarist : Natural History in Anna Seward's Order of Poetics -- 4. Plagiarism and the Poet-Naturalist : Charlotte Smith's Collective Originality -- III. Revolution and Geological Sciences : Translations, Beginnings, and Endings -- 5. Translating Cosmopolitanism : Revolution in Helen Maria Williams's Geopolitical Nature -- 6. Reconstructing Origins : The Psychologization of Geological Catastrophe in Mary Shelley's The Last Man -- Conclusion : Felicia Hemans, Geological Bodies, and the Fate of Originality.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references and index.

I. Gender and Nationalism: Describing and Defining Literary Naturalism -- 1. To Teach and to Please : Anna Barbauld's Original Poetry and Educational Prose of Natural History -- 2. Hybrid Britons : West Indian Colonial Identity and Georgic Originality in Maria Riddell's Natural History -- II. Poetic and Biological Forms : Plagiarism, Originality, and Hybridity -- 3. Evolution of the Plagiarist : Natural History in Anna Seward's Order of Poetics -- 4. Plagiarism and the Poet-Naturalist : Charlotte Smith's Collective Originality -- III. Revolution and Geological Sciences : Translations, Beginnings, and Endings -- 5. Translating Cosmopolitanism : Revolution in Helen Maria Williams's Geopolitical Nature -- 6. Reconstructing Origins : The Psychologization of Geological Catastrophe in Mary Shelley's The Last Man -- Conclusion : Felicia Hemans, Geological Bodies, and the Fate of Originality.

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