Modern architecture in Mexico City : history, representation, and the shaping of a capital / Kathryn E. O'Rourke.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 9780822981626
- 0822981629
- Architecture and society -- Mexico -- Mexico City -- 20th century
- Architecture, Modern -- 20th century
- Mexico City (Mexico) -- Buildings, structures, etc
- Architecture et société -- Mexique -- Mexico -- 20e siècle
- Architecture -- 20e siècle
- HISTORY -- Latin America -- Mexico
- ARCHITECTURE -- History -- Modern (late 19th Century to 1945)
- ARCHITECTURE -- Adaptive Reuse & Renovation
- ARCHITECTURE -- Buildings -- Landmarks & Monuments
- ARCHITECTURE -- Professional Practice
- ARCHITECTURE -- Reference
- ARCHITECTURE -- General
- Architecture and society
- Architecture, Modern
- Buildings
- Mexico -- Mexico City
- 1900-1999
- 720.972/530904 23
- NA757.M4 O76 2017
- ARC005070 | HIS025000
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references and index.
"Kathryn E. O'Rourke offers a new interpretation of the development of modern architecture in the Mexican capital in the first half of the twentieth century. Through an exploration of private houses, schools, a government ministry, and a workers' park, O'Rourke traces the intellectual history of Mexican modernism, showing close links between design, evolving understandings of national architectural history, folk art, and social reform"-- Provided by publisher.
Print version record.
Machine generated contents note: pt. I COLONIAL CONCEPTS FOR MODERN MESTIZOS -- ch. One History, Photography, and the Invention of Mexican Architecture -- ch. Two Representation and Reform at the Ministry of Health -- ch. Three Fit and Trim: Pictorial Histories at the Venustiano Carranza Recreation and Athletic Center for Workers -- pt. II IMAGES, ABSENCE, AND OTHERNESS -- ch. Four Composition and Conflict: Juan O'Gorman as Painter-Architect -- ch. Five Landscape and Subjectivity at the Ciudad Universitaria -- ch. Six Alone in History: Luis Barragan's "Mexican" House.
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