Amazon cover image
Image from Amazon.com

Scottish cinema : texts and contexts / Christopher Meir.

By: Material type: TextTextPublisher: Manchester : Manchester University Press, 2015Description: 1 online resource (ix, 203 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781526111838
  • 1526111837
Subject(s): Genre/Form: Additional physical formats: Print version:: Scottish cinema.DDC classification:
  • 791.430941109/048 23
LOC classification:
  • PN1993.5.G7 M45 2015eb
Online resources:
Contents:
Introduction: surveying Scottish cinema, 1979-present -- 'Raking over' Local Hero again: national cinema, indigenous creativity and the international market -- Mrs Brown: Scottish cinema in an age of devolved public service broadcasting -- Lynne Ramsay, cross-over cinema and Morvern Callar -- The many authors of Young Adam -- Importing national cinema: Ken Loache, Ae Fond Kiss and multicultural Scottish cinema -- Not British, Scottish?: The Last King of Scotland and post-imperial Scottish cinema -- Conclusions.
Summary: Beginning in the early 1980s and continuing today, Scottish cinema has over the last three decades seen an unprecedented number of international successes. Films ranging from Local Hero to The Last King of Scotland have not only raised the profile of film-making north of Hadrian's Wall, but have also raised a number of questions about the place of cinema originating from a small, historically marginalized, as yet stateless nation, within national and transnational film cultures. By providing detailed case studies of some of the biggest films of contemporary Scottish cinema, including Local Hero, Mrs. Brown, Morvern Callar and others, this volume will help readers to understand the key works of period as well as the interrelated industrial, critical and cultural contexts surrounding their creation and reception. As the field of Scottish film studies has also grown and developed during this period, this volume will also introduce readers to the debates sparked by the key works discussed in the book. By taking an approach that is rooted in detailed studies of individual films, yet providing the scope to understand a larger national cinema and the debates surrounding that cinema, Scottish Cinema: Texts and Contexts is an ideal volume for students new to Scottish cinema as well as scholars working in the field. This volume is also a must have for those interested in British cinema, European cinemas and concepts of national and transnational cinemas generally. -- Source other than Library of Congress.
Item type:
Tags from this library: No tags from this library for this title. Log in to add tags.
Star ratings
    Average rating: 0.0 (0 votes)
Holdings
Item type Home library Collection Call number Materials specified Status Date due Barcode
Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references (pages 188-200) and index.

Introduction: surveying Scottish cinema, 1979-present -- 'Raking over' Local Hero again: national cinema, indigenous creativity and the international market -- Mrs Brown: Scottish cinema in an age of devolved public service broadcasting -- Lynne Ramsay, cross-over cinema and Morvern Callar -- The many authors of Young Adam -- Importing national cinema: Ken Loache, Ae Fond Kiss and multicultural Scottish cinema -- Not British, Scottish?: The Last King of Scotland and post-imperial Scottish cinema -- Conclusions.

Beginning in the early 1980s and continuing today, Scottish cinema has over the last three decades seen an unprecedented number of international successes. Films ranging from Local Hero to The Last King of Scotland have not only raised the profile of film-making north of Hadrian's Wall, but have also raised a number of questions about the place of cinema originating from a small, historically marginalized, as yet stateless nation, within national and transnational film cultures. By providing detailed case studies of some of the biggest films of contemporary Scottish cinema, including Local Hero, Mrs. Brown, Morvern Callar and others, this volume will help readers to understand the key works of period as well as the interrelated industrial, critical and cultural contexts surrounding their creation and reception. As the field of Scottish film studies has also grown and developed during this period, this volume will also introduce readers to the debates sparked by the key works discussed in the book. By taking an approach that is rooted in detailed studies of individual films, yet providing the scope to understand a larger national cinema and the debates surrounding that cinema, Scottish Cinema: Texts and Contexts is an ideal volume for students new to Scottish cinema as well as scholars working in the field. This volume is also a must have for those interested in British cinema, European cinemas and concepts of national and transnational cinemas generally. -- Source other than Library of Congress.

Print version record.

eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - Worldwide

There are no comments on this title.

to post a comment.

O.P. Jindal Global University, Sonepat-Narela Road, Sonepat, Haryana (India) - 131001

Send your feedback to glus@jgu.edu.in

Hosted, Implemented & Customized by: BestBookBuddies   |   Maintained by: Global Library