Pentecostal modernism : Lovecraft, Los Angeles and world-systems culture / Stephen Shapiro and Philip Barnard.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 9781474238755
- 1474238750
- 9781474238748
- 1474238742
- 9781474238762
- 1474238769
- 1474238734
- 9781474238731
- Lovecraft, H. P. (Howard Phillips), 1890-1937 -- Criticism and interpretation
- Lovecraft, H. P. (Howard Phillips), 1890-1937
- Revivals -- History
- Réveils (Religion) -- Histoire
- Literary studies: fiction, novelists & prose writers
- Literary studies: from c 1900 -
- LITERARY CRITICISM -- American -- General
- Revivals
- 813.52 23
- PS3523.O833
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references and index.
Online resource; title from PDF title page (EBSCO, viewed February 24, 2017).
Cover; Half Title; Series; Title; Copyright; Contents; Acknowledgments; PART A Methods; 1 Modernism and the capitalist world-system: Williams, Wallerstein, Foucault; 1. The cultural history of modernism needs to include that of religious movements; 2. Modernism is the cultural registration of the thresholds marking new class geographies resulting from the boom period betwee; 3. The culture of modernism is neither deeply allegorical nor essentially reflective; 2 Combined and uneven development: World-system dynamics; Trotsky's initial model of combined and uneven development.
The culture of combined and uneven developmentBloch's combined and uneven historicity; PART B Modernisms; 3 Pentecostalism and the protolanguage of racial equality; The road to Azusa; Charles Fox Parham and the 1901 Topeka Revival; William J. Seymour and the Azusa Street Revival, 1906; Institutionalizing racial ecumenism; Understanding Pentecostalism and speaking-.in-.tongues; Protolanguage and semiperipheral speech; 4 Lovecraft, race, and pulp modernism; 5 Afterword: Social Gospel; Bibliography; Index.
Bringing together new accounts of the pulp horror writings of H.P. Lovecraft and the rise of the popular early 20th-century religious movements of American Pentecostalism and Social Gospel, Pentecostal Modernism challenges traditional histories of modernism as a secular avant-garde movement based in capital cities such as London or Paris. Disrupting accounts that separate religion from progressive social movements and mass culture, Stephen Shapiro and Philip Barnard construct a new Modernism belonging to a history of regional cities, new urban areas powered by the hopes and frustrations of recently urbanized populations seeking a better life. In this way, Pentecostal Modernism shows how this process of urbanization generates new cultural practices including the invention of religious traditions and mass-cultural forms.
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