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Photography and collaboration : from conceptual art to crowdsourcing / Daniel Palmer.

By: Material type: TextTextPublisher: London, UK ; New York, NY, USA : Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, 2017Copyright date: ©2017Description: 1 online resource (x, 219 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781474233477
  • 1474233473
  • 9781474233484
  • 1474233481
Subject(s): Genre/Form: Additional physical formats: Print version:: Photography and collaboration.DDC classification:
  • 770 23
LOC classification:
  • TR183 .P226 2017
Online resources:
Contents:
Ideologies of Photographic Authorship -- Impersonal Evidence: Photography as Readymade -- Collaborative Documents: Photography in the Name of Community -- Relational Portraiture: Photography as Social Encounter -- Aggregated Authorship: Found Photography and Social Networks.
Summary: Photography and Collaboration offers a fresh perspective on existing debates in art photography and on the act of photography in general. Unlike conventional accounts that celebrate individual photographers and their personal visions, this book investigates the idea that authorship in photography is often more complex and multiple than we imagine - involving not only various forms of partnership between photographers, but also an astonishing array of relationships with photographed subjects and viewers. Thematic chapters explore the increasing prevalence of collaborative approaches to photography among a broad range of international artists - from conceptual practices in the 1960s to the most recent digital manifestations. Positioning contemporary work in a broader historical and theoretical context, the book reveals that collaboration is an overlooked but essential dimension of the medium's development and potential.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references and index.

Ideologies of Photographic Authorship -- Impersonal Evidence: Photography as Readymade -- Collaborative Documents: Photography in the Name of Community -- Relational Portraiture: Photography as Social Encounter -- Aggregated Authorship: Found Photography and Social Networks.

Online resource; title from digital title page (viewed on January 20, 2017).

Photography and Collaboration offers a fresh perspective on existing debates in art photography and on the act of photography in general. Unlike conventional accounts that celebrate individual photographers and their personal visions, this book investigates the idea that authorship in photography is often more complex and multiple than we imagine - involving not only various forms of partnership between photographers, but also an astonishing array of relationships with photographed subjects and viewers. Thematic chapters explore the increasing prevalence of collaborative approaches to photography among a broad range of international artists - from conceptual practices in the 1960s to the most recent digital manifestations. Positioning contemporary work in a broader historical and theoretical context, the book reveals that collaboration is an overlooked but essential dimension of the medium's development and potential.

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