Photography and collaboration : from conceptual art to crowdsourcing / Daniel Palmer.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 9781474233477
- 1474233473
- 9781474233484
- 1474233481
- Photography -- Philosophy
- Photography, Artistic
- Group work in art
- Photography -- Social aspects
- Photographie -- Philosophie
- Photographie artistique
- Art -- Travail en équipe
- Photographie -- Aspect social
- art photography
- Theory of art
- History of art & design styles: from c 1900 -
- Individual photographers
- Photography & photographs
- COMPUTERS -- Digital Media -- Photography
- PHOTOGRAPHY -- Reference
- TECHNOLOGY & ENGINEERING -- Imaging Systems
- Group work in art
- Photography, Artistic
- Photography -- Philosophy
- Photography -- Social aspects
- Theory of art
- History of art
- Individual photographers
- Photography & photographs
- Photography
- 770 23
- TR183 .P226 2017
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references and index.
Ideologies of Photographic Authorship -- Impersonal Evidence: Photography as Readymade -- Collaborative Documents: Photography in the Name of Community -- Relational Portraiture: Photography as Social Encounter -- Aggregated Authorship: Found Photography and Social Networks.
Online resource; title from digital title page (viewed on January 20, 2017).
Photography and Collaboration offers a fresh perspective on existing debates in art photography and on the act of photography in general. Unlike conventional accounts that celebrate individual photographers and their personal visions, this book investigates the idea that authorship in photography is often more complex and multiple than we imagine - involving not only various forms of partnership between photographers, but also an astonishing array of relationships with photographed subjects and viewers. Thematic chapters explore the increasing prevalence of collaborative approaches to photography among a broad range of international artists - from conceptual practices in the 1960s to the most recent digital manifestations. Positioning contemporary work in a broader historical and theoretical context, the book reveals that collaboration is an overlooked but essential dimension of the medium's development and potential.
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