Reichsrock : the international web of white-power and Neo-Nazi hate music / Kirsten Dyck.
Material type:
TextPublication details: New Brunswick, New Jersey : Rutgers University Press, [2016]Description: 1 online resourceContent type: - text
- computer
- online resource
- 9780813574721
- 0813574722
- 9780813574738
- 0813574730
- Hate groups
- Neo-Nazism
- White supremacy movements
- Punk rock music -- Political aspects
- Punk rock music -- Social aspects
- Heavy metal (Music) -- Political aspects
- Heavy metal (Music) -- Social aspects
- Groupes haineux
- Néonazisme
- Mouvements pour la suprématie blanche
- Punk (Musique) -- Aspect politique
- Punk (Musique) -- Aspect social
- Heavy metal (Musique) -- Aspect politique
- Heavy metal (Musique) -- Aspect social
- POLITICAL SCIENCE -- Public Policy -- Cultural Policy
- SOCIAL SCIENCE -- Anthropology -- Cultural
- SOCIAL SCIENCE -- Popular Culture
- MUSIC -- Genres & Styles -- Punk
- Hate groups
- Neo-Nazism
- White supremacy movements
- Soziale Situation
- Rechtsradikalismus
- Heavy Metal
- Rassismus
- Punk Rock
- Politisches Lied
- Rockmusik
- Hass
- 306.4/842 23
- ML3918.R63 D87 2016
- LB 42000
| Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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Electronic-Books
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references and index.
Print version record.
Title; Copyright; Dedication; Contents; Acknowledgments; Chapter 1. What Is White-Power Music?; Chapter 2. The History of White-Power Music in Britain; Chapter 3. The History of White-Power Music in Continental Western Europe; Chapter 4. The History of White-Power Music in Eastern Europe; Chapter 5. The History of White-Power Music outside Europe; Chapter 6. Conclusion; Notes; Select Bibliography; Select Recordings Cited; Index; Untitled.
Reichsrock shines a light on the international white-power music industry, the fandom it has spawned, and the virulently racist beliefs it perpetuates. Kirsten Dyck investigates how white-power bands and their fans have used the internet to spread their message worldwide, while closely examining distinctly local white-power scenes in the United States, England, Germany, Russia, Greece, and Latin America. Tracking the very real violence this music fandom has sparked, she sounds an urgent message about a global menace.
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