On company time : American modernism in the big magazines / Donal Harris.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 9780231541343
- 0231541341
- American literature -- 20th century -- History and criticism
- Modernism (Literature) -- United States
- Periodicals -- Publishing -- United States -- History -- 20th century
- Authors and publishers -- United States -- History -- 20th century
- Popular literature -- United States -- History and criticism
- Literature and society -- United States -- History -- 20th century
- Littérature américaine -- 20e siècle -- Histoire et critique
- Modernisme (Littérature) -- États-Unis
- Entreprises de presse -- États-Unis -- Histoire -- 20e siècle
- Écrivains et éditeurs -- États-Unis -- Histoire -- 20e siècle
- Paralittérature -- États-Unis -- Histoire et critique
- Littérature et société -- États-Unis -- Histoire -- 20e siècle
- LANGUAGE ARTS & DISCIPLINES -- Publishing
- American literature
- Authors and publishers
- Literature and society
- Modernism (Literature)
- Periodicals -- Publishing
- Popular literature
- United States
- 1900-1999
- 810.9/112 23
- PS228.M63 H37 2016
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references and index.
Willa Cather's promiscuous fiction -- Printing the color line in The Crisis -- On the clock: rewriting literary work at Time Inc. -- Our Eliot: mass modernism and the American century -- Hemingway's disappearing style.
"Starting in the 1890s, a growing number of writers found steady paychecks and regular publishing opportunities as editors and reporters at big magazines. Often privileging innovative style over late-breaking content, these magazines prized novelists and poets for their innovation and attention to literary craft. In recounting this history, On Company Time challenges the narrative of decline that often accompanies modernism's incorporation into midcentury middlebrow culture. Its integrated account of literary and journalistic form shows American modernism evolving within as opposed to against mass print culture. Harris's work also provides an understanding of modernism that extends beyond narratives centered on little magazines and other "institutions of modernism" that served narrow audiences. And for the writers, the "double life" of working for these magazines shaped modernism's literary form and created new models of authorship."--Publisher's description.
Print version record.
English.
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