Songs that sound like blood / Jared Thomas.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 9781922142672
- 1922142670
- Bildungsromans, Australian
- Self-actualization (Psychology) in adolescence -- Fiction
- Identity (Psychology) in youth -- Fiction
- Women singers -- Australia -- Fiction
- Popular music -- Australia -- Fiction
- Actualisation de soi chez l'adolescent -- Romans, nouvelles, etc
- Identité chez les jeunes -- Romans, nouvelles, etc
- Chanteuses -- Australie -- Romans, nouvelles, etc
- Musique populaire -- Australie -- Romans, nouvelles, etc
- FICTION -- General
- Bildungsromans, Australian
- Identity (Psychology) in youth
- Popular music
- Self-actualization (Psychology) in adolescence
- Women singers
- Australia
- Australian
- A823.4 23
- PZ7.T46637
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
For young adults.
Roxy May Redding's got music in her soul and songs in her blood. She lives in a hot dusty town and is dreaming big. She survives run-ins with the mean girls at high school, sings in her dad's band and babysits for her wayward aunt. But Roxy wants a new start. When she gets the chance to study music in the big city, she takes it. Roxy's new life, her new friends and her music collide in a way she could never have imagined. Being a poor student sucks ... navigating her way through the pressure of a national music competition has knobs on it ... singing for her dinner is soul destroying ... but nothing prepares Roxy for her biggest challenge. Her crush on Ana, the local music journo, forces her to steer her way through a complex maze of emotions alien to this small town girl. Family and friends watch closely as Roxy takes a confronting journey to find out who the hell she is.
Intro -- Copyright -- Title Page -- Dedication -- 1. -- 2. -- 3. -- 4. -- 5. -- 6. -- 7. -- 8. -- 9. -- 10. -- 11. -- 12. -- 13. -- 14. -- 15. -- 16. -- 17. -- 18. -- 19. -- 20. -- 21. -- 22. -- 23. -- 24. -- 25. -- 26. -- 27. -- 28. -- 29. -- 30. -- 31. -- 32. -- 33. -- 34. -- 35. -- 36. -- 37. -- 38. -- 39. -- 40. -- 41. -- 42. -- 43. -- Acknowledgements.
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