Postmodern plagiarisms : cultural agenda and aesthetic strategies of appropriation in US-American literature (1970-2010) / Mirjam Horn.
Material type: TextSeries: Buchreihe der Anglia ; 49.Publisher: Berlin ; Boston : De Gruyter Mouton, [2015]Description: 1 online resource (vi, 286 pages) : color illustrationsContent type:- text
- computer
- online resource
- 3110379104
- 9783110379112
- 3110379112
- 9783110379105
- American literature -- 20th century -- History and criticism
- American literature -- 21st century -- History and criticism
- Plagiarism -- United States -- History -- 20th century
- Plagiarism -- United States -- History -- 21st century
- Imitation in literature
- Littérature américaine -- 20e siècle -- Histoire et critique
- Littérature américaine -- 21e siècle -- Histoire et critique
- Plagiat -- États-Unis -- Histoire -- 20e siècle
- Plagiat -- États-Unis -- Histoire -- 21e siècle
- Imitation (Littérature)
- LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
- American literature
- Imitation in literature
- Plagiarism
- United States
- Plagiat
- Postmoderne
- Schriftsteller
- Literatur
- 1900-2099
- 810.9/0054 23
- PS221 .H68 2015
- PS221
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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Electronic-Books | OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references (pages 248-282) and index.
Introducing plagiarism beyond illegitimate plunder -- Framing plagiarism as a postmodern negotiation of authorship and text sovereignty -- Authorship and its nemeses: plagiarism as unoriginal practice -- The commodification of literature and the economic value of authorial attribution -- The extra-aesthetic notion of plagiarism: the case of literary theft -- Under siege: challenging textual integrity and individual authorship -- Writing beyond petty theft: critifiction, context, and neo-conceptual writing -- Everything can be said and must be said in any possible way: stealing away with critifiction and playgiarism -- Disowning meaning and male authority: feminist plagiarist context -- Neo-conceptual uncreative writing of the twenty-first century -- Plagiarism as writing practice in US postmodern literature -- Practicing theory with critifiction: Raymond Federman's Double or nothing (1971/1991) -- Context as dissident feminist writing: Kathy Acker's Empire of the senseless (1988) -- Neo-conceptual appropriative writing -- Uncreative writing as constrained transcription: Kenneth Goldsmith's Day (2003) -- Appropriating legal texts: Vanessa Place's Tragodía i: statement of facts (2010) -- Appropriate and erase: Yedda Morrison's Darkness (chapter 1) -- Conclusion: the present and future of strategic appropriation in the arts.
Print version record.
Postmodern Plagiarisms investigates literary plagiarism and how it serves as a strategic act in several postmodern US-American texts. The book discusses the strong link between author and text at the interface between economics, law, and literary theory, and the complex process of its subversive violation. As a consequence, literary plagiarism is seen as a cultural litmus test for the dynamic notions of authorship, originality, and creativity.
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