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Defoe's major fiction : accounting for the self / Elizabeth R. Napier.

By: Material type: TextTextPublisher: Newark : University of Delaware Press, [2016]Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781611496147
  • 1611496144
Subject(s): Genre/Form: Additional physical formats: Print version:: Defoe's major fictionDDC classification:
  • 823/.5 23
LOC classification:
  • PR3407
Online resources:
Contents:
1. "Strange relations" -- 2. "Meer manage" : the performing self -- 3. "What am I a whore for now?" : the compulsive self -- 4. "Trusty agents" : the divided self -- Epilogue: Discovering the self -- Coda.
Summary: This book examines the concern with narrativity and self-construction in Defoe's first-person fictional narratives. Arguing that recent materialist approaches to Defoe are insufficiently attentive to the dominant preoccupations of his fictional oeuvre, which center on issues of moral accountability and self-definition, it addresses the need to examine more sharply Defoe's novelistic achievement in the realm of character and narration and those aesthetic and ethical experiments that constitute his innovative achievements in the novel form.
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Item type Home library Collection Call number Materials specified Status Date due Barcode
Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references and index.

Description based on print version record and CIP data provided by publisher.

1. "Strange relations" -- 2. "Meer manage" : the performing self -- 3. "What am I a whore for now?" : the compulsive self -- 4. "Trusty agents" : the divided self -- Epilogue: Discovering the self -- Coda.

This book examines the concern with narrativity and self-construction in Defoe's first-person fictional narratives. Arguing that recent materialist approaches to Defoe are insufficiently attentive to the dominant preoccupations of his fictional oeuvre, which center on issues of moral accountability and self-definition, it addresses the need to examine more sharply Defoe's novelistic achievement in the realm of character and narration and those aesthetic and ethical experiments that constitute his innovative achievements in the novel form.

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