Michelangelo in the new millennium : conversations about artistic practice, patronage and Christianity / edited by Tamara Smithers.

Contributor(s):

Smithers, Tamara [editor.]

Material type: Text

TextSeries: Brill's studies in intellectual history ; v. 254. | Brill's studies in intellectual history. Brill's studies on art, art history, and intellectual history ; ; v. 14.Publisher: Boston : Brill, 2016Description: 1 online resource : xix : illustrationsContent type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9789004313637
900431363X

Subject(s):

Genre/Form:

Additional physical formats: Print version:: Michelangelo in the new millennium.DDC classification:

759.5 23

LOC classification:

N6923.B9

Online resources:

Click here to access online

Contents:

Introduction. Michelangelo in the New Millennium / Tamara Smithers -- Artistic Mobility. Site-Specificity / Joost Keizer -- Michelangelo's Strozzi Tondo?: Securing Status with Art / Eric R. Hupe -- Syncretic Seers. The Pitti Tondo: A "Sibylline" Madonna / Emily Fenichel -- Christ-Bearers and Seers of the Period Ante Legem: On the Male Nudes in Michelangelo's Doni Tondo and Sistine Ceiling Frescoes / Jonathan Kline -- Papal Patronage: The Pauls. Virtuous Prelates, Burdensome Relics and a Sliver of Gold in the Last Judgment / Erin Sutherland Minter -- Michelangelo the "Lefty": The Cappella Paolina, the Expulsion Drawings, and Marcello Venusti / Margaret Kuntz -- Coda. Michelangelo's Suicidal Stone / Tamara Smithers -- Epilogue. Twenty-first Century Versus Twentieth Century Methodologies / Marcia B. Hall.

Summary: Michelangelo in the New Millennium presents six paired studies in dialogue with each other that offer new ways of looking at Michelangelo's art as a series of social, creative, and emotional exchanges where artistic intention remains flexible; probe deeper into the artist's formal borrowing and how it affects meaning regarding his early religious works; and consider the making and significance of his late papal painting projects commissioned by Paul III and Paul IV for chapels at the Vatican Palace. Contributors are: William E. Wallace, Joost Keizer, Eric R. Hupe, Emily Fenichel, Jonathan Kline, Erin Sutherland Minter, Margaret Kuntz, Tamara Smithers and Marcia B. Hall.

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Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Includes bibliographical references (pages 224-225) and index.

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Michelangelo in the New Millennium presents six paired studies in dialogue with each other that offer new ways of looking at Michelangelo's art as a series of social, creative, and emotional exchanges where artistic intention remains flexible; probe deeper into the artist's formal borrowing and how it affects meaning regarding his early religious works; and consider the making and significance of his late papal painting projects commissioned by Paul III and Paul IV for chapels at the Vatican Palace. Contributors are: William E. Wallace, Joost Keizer, Eric R. Hupe, Emily Fenichel, Jonathan Kline, Erin Sutherland Minter, Margaret Kuntz, Tamara Smithers and Marcia B. Hall.

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