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Deafening Modernism : embodied language and visual poetics in American literature / Rebecca Sanchez.

By: Material type: TextTextSeries: Cultural frontPublication details: New York : New York University Press, 2015.Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781479810628
  • 1479810622
  • 1479828866
  • 9781479828869
  • 1479805556
  • 9781479805556
Subject(s): Genre/Form: Additional physical formats: Print version:: Deafening Modernism : Embodied Language and Visual Poetics in American Literature.DDC classification:
  • 810.9/112 23
LOC classification:
  • PS228.M63 S26 2015eb
Online resources:
Contents:
Impersonality: Tradition and the Inescapable Body -- Primitivism: Communicative Norms and the Ethics of the Story : Difficulty: Juxtaposition, Indeterminacy, and the Linguistics of Simultaneity : The Image: Cinematic Poetics and Deaf Vision : Epilogue: The Textual Body Notes.
Summary: 'Deafening Modernism' tells the story of modernism from the perspective of Deaf critical insight. Working to develop a critical deaf theory independent of identity-based discourse, Rebecca Sanchez excavates the intersections between Deaf and modernist studies. She traces the ways that deaf culture, history, linguistics, and literature provide a vital and largely untapped resource for understanding the history of American language politics and the impact that history has had on modernist aesthetic production.
Item type: List(s) this item appears in: Assistive Technology (Abhigamya)
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references and index.

Impersonality: Tradition and the Inescapable Body -- Primitivism: Communicative Norms and the Ethics of the Story : Difficulty: Juxtaposition, Indeterminacy, and the Linguistics of Simultaneity : The Image: Cinematic Poetics and Deaf Vision : Epilogue: The Textual Body Notes.

Print version record.

'Deafening Modernism' tells the story of modernism from the perspective of Deaf critical insight. Working to develop a critical deaf theory independent of identity-based discourse, Rebecca Sanchez excavates the intersections between Deaf and modernist studies. She traces the ways that deaf culture, history, linguistics, and literature provide a vital and largely untapped resource for understanding the history of American language politics and the impact that history has had on modernist aesthetic production.

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