We Speak a Different Tongue : Maverick Voices and Modernity 1890¡OÐC¡o1939.

By:

Anthony Patterson, Yoonjoung Choi

Material type: Text

TextPublication details: Cambridge Scholars Publishing, 2015.Description: 1 online resourceContent type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

1443883514
9781443883511

Subject(s):

Genre/Form:

Additional physical formats: Print version:: We Speak a Different Tongue.DDC classification:

809.9 23

LOC classification:

PN56.M54

Online resources:

Click here to access online

Contents:

Table of Contents; Acknowledgements; Introduction; Part I: Contexts; Chapter One; Chapter Two; Chapter Three; Part II: Victorian and Edwardian Modernists; Chapter Four; Chapter Five; Chapter Six; Chapter Seven; Part III: Maverick Encounters with Modernism and Modernity; Chapter Eight; Chapter Nine; Chapter Ten; Chapter Eleven; Chapter Twelve; Part IV: Maverick Voices Within or on The Peripheries Modernism; Chapter Thirteen; Chapter Fourteen; Chapter Fifteen; Chapter Sixteen; Contributors

Summary: We Speak a Different Tongue: Maverick Voices and Modernity 1890-1939 challenges the critical practice of privileging modernism. In so doing, the volume makes a significant contribution to contemporary debates about re-visioning literary modernism, questioning its canon, and challenging its aesthetic parameters. By utilizing the term "modernity" rather than "modernism", the 16 essays housed in this volume foreground the writers who have been marginalised by both their contemporary modernist writers and literary scholars, while exploring the way in which these authors responded to the tensions,

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Item type	Home library	Collection	Call number	Materials specified	Status	Date due	Barcode
Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Print version record.

We Speak a Different Tongue: Maverick Voices and Modernity 1890-1939 challenges the critical practice of privileging modernism. In so doing, the volume makes a significant contribution to contemporary debates about re-visioning literary modernism, questioning its canon, and challenging its aesthetic parameters. By utilizing the term "modernity" rather than "modernism", the 16 essays housed in this volume foreground the writers who have been marginalised by both their contemporary modernist writers and literary scholars, while exploring the way in which these authors responded to the tensions,

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