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Poetry and censorship in Counter-Reformation Italy / by Jennifer Helm.

By: Material type: TextTextLanguage: English, Italian Series: Studies in medieval and Reformation traditions ; v. 189.Publication details: Leiden ; Boston : Brill, 2015.Description: 1 online resource (xi, 438 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9004301119
  • 9789004301115
Subject(s): Genre/Form: Additional physical formats: Print version:: Poetry and Censorship in Counter-Reformation Italy.DDC classification:
  • 851/.409
LOC classification:
  • PQ4103 .H37 2015
Online resources:
Contents:
Control of literature as a strategy of Catholic reformation: motives and modes of influence -- Approaching censorial reading -- Mechanisms of the Roman index -- Censures of the 'marvellous' -- Censures of love -- Censoring laughter -- Self-censorship and poetic counter-strategies: the case of Domenico Venier -- Conclusions.
Summary: In Poetry and Censorship Jennifer Helm offers insight into motives and strategies of Counter-Reformation censorship of poetry in Italy. Materials of Roman censorial authorities reveal why the control of poetry and of its reception was crucial to Counter-Reformation cultural politics. Censorship of poetry should enable the church to influence human inner life that --from thought and belief to fantasy and feeling-- was evolving considerably at that time. The control of poetic genres and modes of writing played an important part here. Yet, to what extent censorship could affect poetic creation emerges from a manuscript of the Venetian poet Domenico Venier. The materials suggest the impact of Counter-Reformation censorship on poetry began earlier and was more extensive than has yet been propagated.
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Includes bibliographical references (pages 412-434) and index.

Control of literature as a strategy of Catholic reformation: motives and modes of influence -- Approaching censorial reading -- Mechanisms of the Roman index -- Censures of the 'marvellous' -- Censures of love -- Censoring laughter -- Self-censorship and poetic counter-strategies: the case of Domenico Venier -- Conclusions.

English and Latin.

In Poetry and Censorship Jennifer Helm offers insight into motives and strategies of Counter-Reformation censorship of poetry in Italy. Materials of Roman censorial authorities reveal why the control of poetry and of its reception was crucial to Counter-Reformation cultural politics. Censorship of poetry should enable the church to influence human inner life that --from thought and belief to fantasy and feeling-- was evolving considerably at that time. The control of poetic genres and modes of writing played an important part here. Yet, to what extent censorship could affect poetic creation emerges from a manuscript of the Venetian poet Domenico Venier. The materials suggest the impact of Counter-Reformation censorship on poetry began earlier and was more extensive than has yet been propagated.

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