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An American cakewalk : ten syncopators of the modern world / Zeese Papanikolas.

By: Material type: TextTextPublisher: Stanford, California : Stanford University Press, [2015]Copyright date: ©2015Description: 1 online resource : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780804795395
  • 0804795398
Subject(s): Genre/Form: Additional physical formats: Print version:: American cakewalkDDC classification:
  • 973.5 23
LOC classification:
  • E169.1 .P214 2015eb
Online resources:
Contents:
Ghost dance -- Valentines -- Cakewalk -- Monsters -- The soul shepherd -- The return of the novelist -- An innocent at Cedro -- The rise of Abraham Cahan -- Beyond syncopation.
Summary: The profound economic and social changes in the post-Civil War United States created new challenges to a nation founded on Enlightenment and transcendental values, religious certainties, and rural traditions. Newly-freed African Americans, emboldened women, intellectuals and artists, and a polyglot tide of immigrants found themselves in a restless new world of railroads, factories, and skyscrapers where old assumptions were being challenged and new values had yet to be created. In An American Cakewalk: Ten Syncopators of the Modern World, Zeese Papanikolas tells the lively and entertaining story of a diverse group of figures in the arts and sciences who inhabited this new America. Just as ragtime composers subverted musical expectations by combining European march timing with African syncopation, so this book's protagonists--who range from Emily Dickinson to Thorstein Veblen and from Henry and William James to Charles Mingus--interrogated the modern American world through their own "syncopations" of cultural givens. The old antebellum slave dance, the cakewalk, with its parody of the manners and pretensions of the white folks in the Big House, provides a template of how the tricksters, shamans, poets, philosophers, ragtime pianists, and jazz musicians who inhabit this book used the arts of parody, satire, and disguise to subvert American cultural norms and to create new works of astonishing beauty and intellectual vigor.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references and index.

Ghost dance -- Valentines -- Cakewalk -- Monsters -- The soul shepherd -- The return of the novelist -- An innocent at Cedro -- The rise of Abraham Cahan -- Beyond syncopation.

Print version record.

The profound economic and social changes in the post-Civil War United States created new challenges to a nation founded on Enlightenment and transcendental values, religious certainties, and rural traditions. Newly-freed African Americans, emboldened women, intellectuals and artists, and a polyglot tide of immigrants found themselves in a restless new world of railroads, factories, and skyscrapers where old assumptions were being challenged and new values had yet to be created. In An American Cakewalk: Ten Syncopators of the Modern World, Zeese Papanikolas tells the lively and entertaining story of a diverse group of figures in the arts and sciences who inhabited this new America. Just as ragtime composers subverted musical expectations by combining European march timing with African syncopation, so this book's protagonists--who range from Emily Dickinson to Thorstein Veblen and from Henry and William James to Charles Mingus--interrogated the modern American world through their own "syncopations" of cultural givens. The old antebellum slave dance, the cakewalk, with its parody of the manners and pretensions of the white folks in the Big House, provides a template of how the tricksters, shamans, poets, philosophers, ragtime pianists, and jazz musicians who inhabit this book used the arts of parody, satire, and disguise to subvert American cultural norms and to create new works of astonishing beauty and intellectual vigor.

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