Video theory : online video aesthetics or the afterlife of video / Andreas Treske.

By:

Treske, Andreas [author.]

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9783839430583
3839430585

Subject(s):

Genre/Form:

Additional physical formats: Print version:: Video theoryDDC classification:

302.23 23

LOC classification:

HM1206 .T747 2015eb

Online resources:

Click here to access online

Contents:

Cover Video Theory; Contents; Acknowledgements; Static-Ocean Blue; Video Unchained; V-Bricks; Tyrannical Loops; Ways of Seeing; Beyonce Vertical; Interiors & Exteriors; Space is only Noise; Illustrations; Bibliography.

Summary: Video is a part of everyday life, comparable to driving a car or taking a shower. It is nearly omnipresent, available on demand and attached to nearby anything, anywhere. Online Video became something vital and independent. With all the video created by the cameras around us, constantly uploading, sharing, linking, and relating, a blue ocean is covering our planet, an ocean of video. What might look as bluish noise and dust from the far outside, might embed beautiful and fascinating living scapes of moving images, objects constantly changing, re-arranging, assembling, evolving, collapsing, but never disappearing, a real cinema. Andreas Treske describes and theorizes these objects formerly named video, their forms, behaviours and properties.

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Holdings
Item type	Home library	Collection	Call number	Materials specified	Status	Date due	Barcode
Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Includes bibliographical references.

Online resource; title from PDF title page (ebrary, viewed May 14, 2015).

Print version record.

Video is a part of everyday life, comparable to driving a car or taking a shower. It is nearly omnipresent, available on demand and attached to nearby anything, anywhere. Online Video became something vital and independent. With all the video created by the cameras around us, constantly uploading, sharing, linking, and relating, a blue ocean is covering our planet, an ocean of video. What might look as bluish noise and dust from the far outside, might embed beautiful and fascinating living scapes of moving images, objects constantly changing, re-arranging, assembling, evolving, collapsing, but never disappearing, a real cinema. Andreas Treske describes and theorizes these objects formerly named video, their forms, behaviours and properties.

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