The cinema of sensations / edited by Ágnes Pethő.

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Following a previous international conference at the Sapientia Hungarian University of Transylvania in Cluj-Napoca, Romania, and the subsequent publication of a volume of studies with the title Film in the Post-Media Age (Cambridge Scholars Publishing, 2012), which insisted, citing the words of Jacques Rancière, that the ecosystem of contemporary moving images should be understood not as a unified digital environment, but as a highly diversified, ""multisensory milieu, "" another conference was organised, focusing this time directly on the ""multisensory"" nature of moving images. Pairing the k.

Includes bibliographical references at the end of each chapters.

pt. I Perception, Body and Mind -- Thinking like a Carpet: Embodied Perception and Individuation in Algorithmic Media / Laura U. Marks -- Seeing to Believe -- Sensing to Know: From Film Form to Perceptual Environment / Yvonne Spielmann -- Learning and Re-learning Haptic Visuality / Laszlo Tarnay -- Avoid Contact with the Eyes and Skin, May Cause Irritation: Agnes Varda's La Pointe Courte (1954) / Francesca Minnie Hardy -- Haptic Vision and the Experience of Difference in Agnes Varda's Les Glaneurs et la glaneuse (2000) / Romain Chareyron -- Geography of the Body: Jean Epstein's Poetics and Conceptualization of the Body in his Unpublished Writings / Daniel Fernandez Pitarch -- Unsettling Melodies: A Cognitive Approach to Incongruent Film Music / Miklos Kiss -- pt. II Embodiment, Art and Media -- Of Artists and Models: Italian Silent Cinema between Narrative Convention and Artistic Practice / Ivo Blom.

The Body as Interstitial Space between Media in Lecons de Tenebres by Vincent Dieutre and Histoire d'un Secret by Mariana Otero / Marlene Monteiro -- "Housing" a Deleuzian "Sensation:" Notes on the Post-Cinematic Tableaux Vivants of Lech Majewski, Sharunas Bartas and Ihor Podolchak / Agnes Petho -- The Alienated Body, Smell, Touch and Oculocentrism in Contemporary Hungarian Cinema / Hajnal Kiraly -- Sensations of Dysphoria in the Encounter of Failing Bodies: The Cases of Karaoke by Donigan Cumming, Last Days by Gus Van Sant, and Drunk by Gillian Wearing / Elene Tremblay -- Visuality and Narration in Monsters, Inc. / Jens Schroter -- Crows vs. Avatar, or: 3D vs. Total-Dimension Immersion / Jose Manuel B. Martins -- pt. III Sensation of Time, Reality and Fantasy -- Affective Realism and the Brand New Brazilian Cinema / Ramayana Lira -- The New Realistic Trend in Contemporary World Cinema: Ramin Bahrani's Chop Shop as a Case Study / Fernando Canet.

The Sensation of Time in Ingmar Bergman's Poetics of Bodies and Minds / Fabio Pezzetti Tonion -- Own Deaths: Figures of the Sensable in Peter Nadas's Book and Peter Forgacs's Film / Katalin Sandor -- Remediating Past Images: The Temporality of "Found Footage" in Gabor Body's American Torso / Judit Pieldner -- Embodied Genetics in Science-Fiction: From Jeunet's Alien: Resurrection (1997) to Piccinini's Workshop (2011) / Andrea Virginas.

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