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Rhyme and meaning in Richard Crashaw / by Mary Ellen Rickey.

By: Material type: TextTextPublication details: Lexington : University of Kentucky Press, ©1961.Description: 1 online resource (112 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780813164359
  • 0813164354
Subject(s): Genre/Form: Additional physical formats: Print version:: Rhyme and meaning in Richard Crashaw.DDC classification:
  • 821.4 23
LOC classification:
  • PR3386 .R5
Online resources:
Contents:
Cover; Title; Copyright; Publisher's Foreword; Acknowledgments; Contents; Introduction; 1. Crashaw's Rhyme Vocabulary; 2. Crashaw's Early Use of Rhyme: Epigrams and Secular Poems; 3. The Verse of Steps to the Temple and Carmen Deo Nostro; 4. Crashaw's Rhyme Revisions; 5. Some Backgrounds of Crashaw's Technique; Conclusion; Notes; Index to Crashaw's Poems Discussed in the Text; A; C; E; F; G; H; I; M; O; P; S; T; V; W.
Summary: Richard Crashaw's use of rhyme is one of the distinctive aspects of his poetic technique, and in the first systematic analysis of his rhyme craft, Mary Ellen Rickey concludes that he was keenly interested in rhyme as a technical device. She traces Crashaw's development of rhyme repetitions from the simple designs of his early epigrams and secular poems to the elaborate and irregular schemes of his mature verse.
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Online resource; title from PDF title page (EBSCO, viewed February 2, 2015).

"A University of Kentucky study."

Includes bibliographical references.

Cover; Title; Copyright; Publisher's Foreword; Acknowledgments; Contents; Introduction; 1. Crashaw's Rhyme Vocabulary; 2. Crashaw's Early Use of Rhyme: Epigrams and Secular Poems; 3. The Verse of Steps to the Temple and Carmen Deo Nostro; 4. Crashaw's Rhyme Revisions; 5. Some Backgrounds of Crashaw's Technique; Conclusion; Notes; Index to Crashaw's Poems Discussed in the Text; A; C; E; F; G; H; I; M; O; P; S; T; V; W.

Richard Crashaw's use of rhyme is one of the distinctive aspects of his poetic technique, and in the first systematic analysis of his rhyme craft, Mary Ellen Rickey concludes that he was keenly interested in rhyme as a technical device. She traces Crashaw's development of rhyme repetitions from the simple designs of his early epigrams and secular poems to the elaborate and irregular schemes of his mature verse.

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