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Shakespeare and the uses of comedy / J.A. Bryant, Jr.

By: Material type: TextTextPublication details: Lexington : University Press of Kentucky, ©1986.Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780813161488
  • 0813161487
  • 0813130956
  • 9780813130958
Subject(s): Genre/Form: Additional physical formats: Print version:: Shakespeare & the uses of comedy.DDC classification:
  • 822.3/3 23
LOC classification:
  • PR2981 .B75 1986eb
Online resources:
Contents:
Shakespeare's exploration of the human comedy -- The comedy of errors -- The two gentlemen of Verona -- Love's labor's lost -- A midsummer night's dream -- The merchant of Venice -- The taming of the shrew -- The merry wives of Windsor -- Much ado about nothing -- As you like it -- Twelfth night -- Troilus and Cressida -- All's well that ends well and Measure for measure -- Cymbeline and The winter's tale -- The tempest.
Action note:
  • digitized 2010 HathiTrust Digital Library committed to preserve
Summary: In Shakespeare's hand the comic mode became an instrument for exploring the broad territory of the human situation, including much that had normally been reserved for tragedy. Once the reader recognizes that justification for such an assumption is presented repeatedly in the earlier comedies -- from The Comedy of Errors to Twelfth Night -- he has less difficulty in dispensing with the currently fashionable classifications of the later comedies as problem plays and romances or tragicomedies and thus in seeing them all as manifestations of a single impulse. Bryant shows how Shakespeare, early a.
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Includes bibliographical references and index.

Shakespeare's exploration of the human comedy -- The comedy of errors -- The two gentlemen of Verona -- Love's labor's lost -- A midsummer night's dream -- The merchant of Venice -- The taming of the shrew -- The merry wives of Windsor -- Much ado about nothing -- As you like it -- Twelfth night -- Troilus and Cressida -- All's well that ends well and Measure for measure -- Cymbeline and The winter's tale -- The tempest.

Print version record.

Use copy Restrictions unspecified star MiAaHDL

Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL

Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. MiAaHDL

http://purl.oclc.org/DLF/benchrepro0212

digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL

In Shakespeare's hand the comic mode became an instrument for exploring the broad territory of the human situation, including much that had normally been reserved for tragedy. Once the reader recognizes that justification for such an assumption is presented repeatedly in the earlier comedies -- from The Comedy of Errors to Twelfth Night -- he has less difficulty in dispensing with the currently fashionable classifications of the later comedies as problem plays and romances or tragicomedies and thus in seeing them all as manifestations of a single impulse. Bryant shows how Shakespeare, early a.

English.

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