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A familiar compound ghost : allusion and the uncanny / Sarah Annes Brown.

By: Material type: TextTextPublisher: Manchester ; New York : Manchester University Press, 2012Description: 1 online resource (233 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781784990091
  • 1784990094
  • 1781704686
  • 9781781704684
Subject(s): Genre/Form: Additional physical formats: Print version:: Familiar compound ghostDDC classification:
  • 809 23
LOC classification:
  • PN56.A53 B76 2012eb
Online resources:
Contents:
Uncanny doubles : part one -- Uncanny doubles : part two -- Ruins -- Reanimation : Orpheus and Pygmalion -- The ghost in Hamlet -- A familiar compound ghost : katabasis and The tempest -- Afterword : 'You'd think she would remember all this from the first time.'
Summary: In this scholarly and suggestive study, Brown identifies moments where this affinity between allusion and the uncanny is used by writers to generate a particular textual charge, where uncanny elements are used to flag patterns of allusion and to point to the haunting presence of an earlier work. It traces the subtle patterns of connection between texts centuries, even millennia apart, from Greek tragedy and Latin epic, through the plays of Shakespeare and the Victorian novel, to contemporary film, fiction and poetry.
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Item type Home library Collection Call number Materials specified Status Date due Barcode
Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references (pages 214-227) and index.

Uncanny doubles : part one -- Uncanny doubles : part two -- Ruins -- Reanimation : Orpheus and Pygmalion -- The ghost in Hamlet -- A familiar compound ghost : katabasis and The tempest -- Afterword : 'You'd think she would remember all this from the first time.'

Print version record.

In this scholarly and suggestive study, Brown identifies moments where this affinity between allusion and the uncanny is used by writers to generate a particular textual charge, where uncanny elements are used to flag patterns of allusion and to point to the haunting presence of an earlier work. It traces the subtle patterns of connection between texts centuries, even millennia apart, from Greek tragedy and Latin epic, through the plays of Shakespeare and the Victorian novel, to contemporary film, fiction and poetry.

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