A familiar compound ghost : allusion and the uncanny / Sarah Annes Brown.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 9781784990091
- 1784990094
- 1781704686
- 9781781704684
- Allusions in literature
- Uncanny, The (Psychoanalysis), in literature
- Doubles in literature
- Intertextuality
- Allusions dans la littérature
- Inquiétante étrangeté (Psychanalyse) dans la littérature
- Doubles dans la littérature
- Intertextualité
- BIOGRAPHY & AUTOBIOGRAPHY -- Literary
- Allusions in literature
- Doubles in literature
- Intertextuality
- Uncanny, The (Psychoanalysis), in literature
- Literatur
- Anspielung
- Das Unheimliche
- Intertextualität
- 809 23
- PN56.A53 B76 2012eb
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references (pages 214-227) and index.
Uncanny doubles : part one -- Uncanny doubles : part two -- Ruins -- Reanimation : Orpheus and Pygmalion -- The ghost in Hamlet -- A familiar compound ghost : katabasis and The tempest -- Afterword : 'You'd think she would remember all this from the first time.'
Print version record.
In this scholarly and suggestive study, Brown identifies moments where this affinity between allusion and the uncanny is used by writers to generate a particular textual charge, where uncanny elements are used to flag patterns of allusion and to point to the haunting presence of an earlier work. It traces the subtle patterns of connection between texts centuries, even millennia apart, from Greek tragedy and Latin epic, through the plays of Shakespeare and the Victorian novel, to contemporary film, fiction and poetry.
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