Subcultures, popular music and social change / edited by the Subcultures Network.

Includes bibliographical references and index.

Print version record.

Acknowledgements; preface; contributors; 1. subcultures, popularmusicand social change; i.theorizing subculturesand popularmusic; 2. subcultural theory in france:amissed rendez-vous?; 3. "it'swhere you come fromthatmakes youwho you are"; 4. youth culture and the internet; ii.the construction and expressionof subcultural identities; 5. "a harmonizing whole"?music, mass observationand the interwar public house; 6. neo-burlesque; 7. ambitious outsiders; 8. subcultural entrance practicesin uk punk culture, 1976-2001; 9. staring at the rudeboys.

Iii.subcultures, global flowsand local contexts10. the stax/volt revue and soulmusic fandom in 1960s britain; 11. 1968 underground; 12. "the lad is always right"; 13. an exploration of deviance, power and resistancewithin contemporary cuba; afterwordafter shock; index.

Style-based subcultures, scenes and tribes have pulsated through the history of social, economic and political change. From 1940s zoot-suiters and hepcats; through 1950s rock 'n' rollers, beatniks and Teddy boys; 1960s surfers, rudeboys, mods, hippies and bikers; 1970s skinheads, soul boys, rastas, glam rockers, funksters and punks; on to the heavy metal, hip-hop, casual, goth, rave, hipster and clubber styles of the 1980s, 90s, noughties and beyond; distinctive blends of fashion and music ha ...

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