Lyric shame : the "lyric" subject of contemporary American poetry / Gillian White.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 9780674736313
- 0674736311
- American poetry -- 20th century -- History and criticism -- Theory, etc
- American poetry -- 21st century -- History and criticism -- Theory, etc
- Emotions in literature
- Poésie américaine -- 20e siècle -- Histoire et critique -- Théorie, etc
- LITERARY CRITICISM -- Poetry
- Emotions in literature
- 1900-2099
- 811/.5409 23
- PS325 .W47 2014eb
- HR 1769
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references and index.
You ought to be ashamed (but aren't): Elizabeth Bishop and the subject of lyric -- Something for someone: Anne Sexton, interpretation, and the shame of the confessional -- "Speaking in effect": identifying (with) Bernadette Mayer's shamed expressive practice -- Tired of myself: the 1990s & the 'lyric' shame poem -- afterword.
Gillian White argues that the poetry wars among critics and practitioners are shaped by "lyric shame"--An unspoken but pervasive embarrassment over what poetry is, should be, and fails to be. "Lyric" is less a specific genre than a way to project subjectivity onto poems--an idealized poem that is nowhere and yet everywhere.
Print version record.
In English.
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