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Aged Young Adults : Age Readings of Contemporary American Novels and Films / Anita Wohlmann.

By: Material type: TextTextSeries: Aging studies ; v. 4.Publisher: Bielefeld, Germany : Transcript Verlag, 2014Description: 1 online resource (280 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9783839424834
  • 3839424836
  • 1306996872
  • 9781306996877
Subject(s): Genre/Form: Additional physical formats: Print version:: Aged Young AdultsDDC classification:
  • 810.8/0354 23
LOC classification:
  • PS374.A383 W64 2014eb
Other classification:
  • HU 1520
Online resources:
Contents:
Age and aging in theory and practice -- Conflicts of timing -- Living across the life course -- Mental health and age -- Positive age metaphors: Miranda July's "The future" and "It Chooses You."
Summary: When Toula's father in "My Big Fat Greek Wedding" says to his daughter (age 30) "you look so old" or when Don DeLillo's protagonist (age 28) "feels old" in "Cosmopolis", these young characters are attributed an age awareness that has received little attention in age studies so far. Leaving aside chronological or biological dimensions of age, this study approaches age as a metaphoric practice, suggesting that "feeling old" is not to be taken literally but metaphorically. The book examines the cultural meanings of age and aging for characters who are in their twenties and thirties and challenges often-quoted labels such as late-coming-of-age story or perpetual adolescence
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references.

Age and aging in theory and practice -- Conflicts of timing -- Living across the life course -- Mental health and age -- Positive age metaphors: Miranda July's "The future" and "It Chooses You."

Print version record.

When Toula's father in "My Big Fat Greek Wedding" says to his daughter (age 30) "you look so old" or when Don DeLillo's protagonist (age 28) "feels old" in "Cosmopolis", these young characters are attributed an age awareness that has received little attention in age studies so far. Leaving aside chronological or biological dimensions of age, this study approaches age as a metaphoric practice, suggesting that "feeling old" is not to be taken literally but metaphorically. The book examines the cultural meanings of age and aging for characters who are in their twenties and thirties and challenges often-quoted labels such as late-coming-of-age story or perpetual adolescence

English.

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