Selling the splat pack : the DVD revolution and the American horror film / Mark Bernard.

By:

Bernard, Mark [author.]

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780748685509
0748685502
1474406440
9781474406444
9781322059723
1322059721

Subject(s): Genre/Form:

Additional physical formats: Print version:: Selling the splat pack.DDC classification:

791.436164

LOC classification:

PN1995.9 .H6 B484 2014eb

Online resources:

Click here to access online

Contents:

Part I: The industrical context of the Splat Pack -- Introuducing the Splat Pack -- Politics and the horror film: an industry studies intervention -- The DVD revolution and the horror film, take one: from trash to art to collectable -- The DVD revolution and the horror film, take two: rise of the 'Unrated' -- Part II: The Splat Pack on DVD -- Text, subtext and the story of the film: Eli Roth's "Hostel" and "Hostel: Part II" on DVD -- The 'white trash' world of Rob Zombie: class, collecting and the summing spectators -- Seriality, subjectivity and new media: consuming the "Saw" series -- Scars, both material and cyber: "Haute Tension" and "The Descent" on DVD.

Summary: Were brutal American horror movies like the Saw and Hostel films a reaction to the trauma of 9/11? Were they a reflection of 'War on Terror'-era America? Or was something else responsible for the rise of these violent and gory films during the first decade of the twenty-first century? Selling the Splat Pack unravels the history of how the emergence of the DVD market changed cultural and industrial attitudes about horror movies and film ratings. These changes made way for increasingly violent horror films, like those produced by the 'Splat Pack', a group of filmmakers who were heralded in the press as subversive outsiders. Taking a different tack, Mark Bernard proposes that the films of the Splat Pack were products of, rather than reactions against, film industry policy. This book includes an overview of the history of the American horror film from an industry studies perspective, an analysis of how the DVD market influenced the production of American horror films, and an examination of films from Splat Pack members such as Eli Roth, Rob Zombie, James Wan, and Alexandre Aja. By re-examining the history of the American horror film from a business perspective and exploring how DVD influenced the production of American horror films in the early twenty-first century, this thought-provoking book provides students and scholars in Film Studies with an alternative perspective on the Splat Pack.

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Includes filmography (pages 206-207), bibliographical references (pages 199-205) and index.

Print version record.

Were brutal American horror movies like the Saw and Hostel films a reaction to the trauma of 9/11? Were they a reflection of 'War on Terror'-era America? Or was something else responsible for the rise of these violent and gory films during the first decade of the twenty-first century? Selling the Splat Pack unravels the history of how the emergence of the DVD market changed cultural and industrial attitudes about horror movies and film ratings. These changes made way for increasingly violent horror films, like those produced by the 'Splat Pack', a group of filmmakers who were heralded in the press as subversive outsiders. Taking a different tack, Mark Bernard proposes that the films of the Splat Pack were products of, rather than reactions against, film industry policy. This book includes an overview of the history of the American horror film from an industry studies perspective, an analysis of how the DVD market influenced the production of American horror films, and an examination of films from Splat Pack members such as Eli Roth, Rob Zombie, James Wan, and Alexandre Aja. By re-examining the history of the American horror film from a business perspective and exploring how DVD influenced the production of American horror films in the early twenty-first century, this thought-provoking book provides students and scholars in Film Studies with an alternative perspective on the Splat Pack.

English.

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