Rock star : the making of musical icons from Elvis to Springsteen / David R. Shumway.
Material type: TextPublisher: Baltimore : Johns Hopkins University Press, 2014Description: 1 online resourceContent type:- text
- computer
- online resource
- 9781421413938
- 1421413930
- Rock musicians -- United States
- Rock groups -- United States
- Popular culture -- United States
- Fame -- Social aspects -- United States
- Rock music -- Social aspects -- United States
- Musiciens rock -- États-Unis
- Groupes rock -- États-Unis
- Culture populaire -- États-Unis
- Rock (Musique) -- Aspect social -- États-Unis
- POLITICAL SCIENCE -- Public Policy -- Cultural Policy
- SOCIAL SCIENCE -- Anthropology -- Cultural
- SOCIAL SCIENCE -- Popular Culture
- Fame -- Social aspects
- Popular culture
- Rock groups
- Rock music -- Social aspects
- Rock musicians
- United States
- 306.4/8426 23
- ML3918.R63 .S58 2014eb
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Electronic-Books | OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references and index.
Reflections on stardom and its trajectories -- Watching Elvis -- James Brown : self-remade man -- Bob Dylan : the artist -- The Rolling Stones : rebellion, transgression, and excess -- The Grateful Dead : alchemy, or rock & roll utopia -- Joni Mitchell : the singer-songwriter and the confessional persona -- Trapped in the promised land : Bruce Springsteen -- Conclusion : where have all the rock stars gone?
Print version record.
"Shumway investigates the rock star as a particular kind of cultural construction, different from mere celebrity. After the golden age of moviemaking, media exposure allowed rock stars more political sway than Hollywood's studio stars, and rock stars gradually replaced movie stars as key cultural heroes. Because of changes in American society and the media industries, rock stars have become much more explicitly political figures than were the stars of Hollywood's studio era. Rock stars, moreover, are icons of change, though not always progressive, whose public personas read like texts produced collaboratively by the performers themselves, their managers, and record companies. These stars thrive in a variety of media, including recorded music, concert performance, dress, staging, cover art, films, television, video, print, and others."--Publisher's information
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