Studies on the Origin of Harmonic Tonality.

By:

Dahlhaus, Carl

Contributor(s):

Gjerdingen, Robert O

Material type: Text

TextSeries: Princeton legacy libraryPublication details: Princeton : Princeton University Press, 2014.Description: 1 online resource (406 pages)Content type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781400861316
1400861314

Subject(s):

Genre/Form:

Additional physical formats: Print version:: Studies on the Origin of Harmonic Tonality.DDC classification:

781.2/6 20

LOC classification:

ML3811

Online resources:

Click here to access online

Contents:

""Cover ""; ""Contents""

Summary: Carl Dahlhaus was without doubt the premier musicologist of the postwar generation, a giant whose recent death was mourned the world over. Translated here for the first time, this fundamental work on the development of tonality shows his complete mastery of the theory of harmony. In it Dahlhaus explains the modern concepts of harmony and tonality, reviewing in the process the important theories of Rameau, Sechter, Ftis, Riemann, and Schenker. He contrasts the familiar premises of chordal composition with the lesser known precepts of intervallic composition, the basis for polyphonic music in.

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Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Print version record.

Cover; Contents.

Carl Dahlhaus was without doubt the premier musicologist of the postwar generation, a giant whose recent death was mourned the world over. Translated here for the first time, this fundamental work on the development of tonality shows his complete mastery of the theory of harmony. In it Dahlhaus explains the modern concepts of harmony and tonality, reviewing in the process the important theories of Rameau, Sechter, Ftis, Riemann, and Schenker. He contrasts the familiar premises of chordal composition with the lesser known precepts of intervallic composition, the basis for polyphonic music in.

""Cover ""; ""Contents""

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