Soundweaving : writings on improvisation / edited by Franziska Schroeder and Mícheál Ó hAodha.

Contributor(s):

Material type: Text

TextPublisher: Newcastle upon Tyne : Cambridge Scholars Publishing, 2014Description: 1 online resource (xvi, 183 pages)Content type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781443863179
1443863173
1443853445
9781443853446

Subject(s):

Genre/Form:

Electronic books.

Additional physical formats: Print version:: SoundweavingDDC classification:

780 22

LOC classification:

MT68 .S686 2014eb

Other classification:

Online resources:

Click here to access online

Contents:

Steps to an ecology of improvisation / Marcel Cobussen -- What the music wants / David Borgo -- Encountering musical objects: object oriented philosophy, improvisation and an ethics of listening / Adam Parkinson -- Free improvisation and the uncertainty principle / Justin Yang -- The molecular imagination: John Stevens, the spontaneous music ensemble and free group improvisation / Richard Scott -- Breath and improvisation / Jeff R. Warren -- Indeterminacy and game-mediated participation in network music performance / Felipe Hickmann and Pedro Rebelo -- Improvisation and the self : to listen to the other / Henrik Frisk.

Summary: This book is about music improvisation. It forges exciting and provocative new links between a range of theories and practices in texts that explore topics as varied as object-oriented ontology, game theory, ethical responsibility and breath. In improvisatory fashion, this book has been edited so that it weaves the texts amongst each other, subversively inserting a tactile piece of text - a text interlaced, as a woven cloth, among the contributing authors. The writings in this volume are both timely and diverse, exploring as they do an array of interdisciplinary and critical discourses, th.

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Holdings
Item type	Home library	Collection	Call number	Materials specified	Status	Date due	Barcode
Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Print version record.

This book is about music improvisation. It forges exciting and provocative new links between a range of theories and practices in texts that explore topics as varied as object-oriented ontology, game theory, ethical responsibility and breath. In improvisatory fashion, this book has been edited so that it weaves the texts amongst each other, subversively inserting a tactile piece of text - a text interlaced, as a woven cloth, among the contributing authors. The writings in this volume are both timely and diverse, exploring as they do an array of interdisciplinary and critical discourses, th.

English.

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