Romantic tragedies : the dark employments of Wordsworth, Coleridge, and Shelley / Reeve Parker.
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- 9781316103760
- 1316103765
- 9780511975011
- 0511975015
- 9781316099940
- 1316099946
- 1316097498
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- 1316099008
- 9781316099001
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- 1316102254
- 9781316102251
- 9781107644076
- 1107644070
- Wordsworth, William, 1770-1850 -- Dramatic works
- Coleridge, Samuel Taylor, 1772-1834 -- Dramatic works
- Shelley, Percy Bysshe, 1792-1822 -- Dramatic works
- Coleridge, Samuel Taylor, 1772-1834
- Shelley, Percy Bysshe, 1792-1822
- Wordsworth, William, 1770-1850
- Wordsworth, William 1770-1850
- Coleridge, Samuel Taylor 1772-1834
- Shelley, Percy Bysshe 1792-1822
- Wordsworth, William, 1770-1850 -- dramatik
- Coleridge, Samuel Taylor, 1772-1834 -- dramatik
- Shelley, Percy Bysshe, 1792-1822 -- dramatik
- Verse drama, English -- History and criticism
- English drama (Tragedy) -- History and criticism
- English drama -- 18th century -- History and criticism
- English drama -- 19th century -- History and criticism
- Romanticism -- Great Britain
- Tragédie anglaise -- Histoire et critique
- Théâtre anglais -- 18e siècle -- Histoire et critique
- Théâtre anglais -- 19e siècle -- Histoire et critique
- Romantisme -- Grande-Bretagne
- DRAMA -- English, Irish, Scottish, Welsh
- Criticism and interpretation
- English drama
- English drama (Tragedy)
- Romanticism
- Verse drama, English
- Great Britain
- Englisch
- Verstragödie
- Romantik
- Tragedies
- Engelska tragedier -- historia -- 1700-talet -- 1800-talet
- Romantiken -- Storbritannien
- 1700-1899
- 822/.7/09 22
- PR719.V4 P37 2011eb
- 18.05
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references (pages 286-295) and index.
Introduction: "Prowling out for dark employments" -- Part I. Wordsworth: 1. Reading Wordsworth's power: narrative and usurpation in The Borderers; 2. Cradling French Macbeth: managing the art of second-hand Shakespeare; 3. 'In some sort seeing with my proper eyes': Wordsworth and the spectacles of Paris; 4. Drinking up whole rivers: facing Wordsworth's watery discourse -- Part II. Coleridge and Shelley: 5. Osorio's dark employments: tricking out Coleridgean tragedy; 6. Listening to remorse: assuming man's infirmities; 7. Reading Shelley's delicacy.
"Troubled politically and personally, Wordsworth and Coleridge turned in 1797 to the London stage. Their tragedies, The Borderers and Osorio, were set in medieval Britain and early modern Spain to avoid the Lord Chamberlain's censorship. Drury Lane rejected both, but fifteen years later, Coleridge's revision, Remorse, had spectacular success there, inspiring Shelley's 1819 Roman tragedy, The Cenci, aimed for Covent Garden. Reeve Parker makes a striking case for the power of these intertwined works, written against British hostility to French republican liberties and Regency repression of home-grown agitation. Covertly, Remorse and The Cenci also turn against Wordsworth. Stressing the significance of subtly repeated imagery and resonances with Virgil, Shakespeare, Racine, Jean-François Ducis and Schiller, Parker's close readings, which are boldly imaginative and decidedly untoward, argue that at the heart of these tragedies lie powerful dramatic uncertainties driven by unstable passions - what he calls, adapting Coleridge's phrase for sorcery, 'dark employments'"-- Provided by publisher
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English.
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