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Concerning the spiritual and the concrete in Kandinsky's art / Lisa Florman.

By: Material type: TextTextLanguage: English Original language: French Publisher: Stanford, California : Stanford University Press, [2014]Copyright date: ©2014Description: 1 online resource (xvii, 236 pages) : color illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780804789233
  • 0804789231
Contained works:
  • Kojève, Alexandre, 1902-1968. Peintures concrètes de Kandinsky. English
Subject(s): Genre/Form: Additional physical formats: Print version:: Concerning the spiritual and the concrete in Kandinsky's artDDC classification:
  • 759.7 23
LOC classification:
  • ND699.K3 F59 2014eb
Other classification:
  • 20.02
  • 21.02
Online resources:
Contents:
Machine generated contents note: pt. I PAINTING IN THEORY -- First Moment -- Hegel's Aesthetics -- Second Moment -- pt. 1 Kandinsky's Uber das Geistige in der Kunst -- pt. 2 Kandinsky's Punkt und Linie zu Flache and Related Essays -- Third Moment -- Kojeve's "Les Peintures concretes de Kandinsky" -- pt. II PAINTING IN PRACTICE -- The Development Of Kandinsky's Oeuvre.
Summary: This book examines the art and writings of Wassily Kandinsky, who is widely regarded as one of the first artists to produce non-representational paintings. Crucial to an understanding of Kandinsky's intentions is On the Spiritual in Art, the celebrated essay he published in 1911. Where most scholars have taken its repeated references to ""spirit"" as signaling quasi-religious or mystical concerns, Florman argues instead that Kandinsky's primary frame of reference was G.W.F. Hegel's Aesthetics, in which art had similarly been presented as a vehicle for the developing self-consciousness of spiri
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Item type Home library Collection Call number Materials specified Status Date due Barcode
Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Contains an English translation of Les Peintures concrètes de Kandinsky by Alexandre Kojève.

Includes bibliographical references and index.

Text in English.

Print version record.

This book examines the art and writings of Wassily Kandinsky, who is widely regarded as one of the first artists to produce non-representational paintings. Crucial to an understanding of Kandinsky's intentions is On the Spiritual in Art, the celebrated essay he published in 1911. Where most scholars have taken its repeated references to ""spirit"" as signaling quasi-religious or mystical concerns, Florman argues instead that Kandinsky's primary frame of reference was G.W.F. Hegel's Aesthetics, in which art had similarly been presented as a vehicle for the developing self-consciousness of spiri

Machine generated contents note: pt. I PAINTING IN THEORY -- First Moment -- Hegel's Aesthetics -- Second Moment -- pt. 1 Kandinsky's Uber das Geistige in der Kunst -- pt. 2 Kandinsky's Punkt und Linie zu Flache and Related Essays -- Third Moment -- Kojeve's "Les Peintures concretes de Kandinsky" -- pt. II PAINTING IN PRACTICE -- The Development Of Kandinsky's Oeuvre.

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