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Digital Poetics : Hypertext, Visual-Kinetic Text and Writing in Programmable Media.

By: Material type: TextTextSeries: Modern and contemporary poeticsPublication details: Tuscaloosa : University of Alabama Press, 2013.Description: 1 online resource (226 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780817386924
  • 0817386920
Subject(s): Genre/Form: Additional physical formats: Print version:: Digital Poetics : Hypertext, Visual-Kinetic Text and Writing in Programmable Media.DDC classification:
  • 808.10285
LOC classification:
  • PN1059 .G384 2013
Online resources:
Contents:
Acknowledgments; Introduction: Language as Transmission; Sidebar: On Techne; 1. Jumping to Occlusions: A Manifesto for Digital Poetics; 2. Our Words; Sidebar: The "I" in "Internet"; 3. Home, Haunt, Page; 4. The Intermedial: A Treatise; 5. Hypertext/Hyperpoeisis/Hyperpoetics; 6. Coding Writing, Reading Code; Sidebar: On Mouseover; 7. E-poetries: A Lab Book of Digital Practice, 1970-2001; 8. Future Tenses/Present Tensions: A Prospectus for E-poetry; Sidebar: Tin Man Weeps Straw Break; Epilogue. Between the Academy and a Hard Drive: An E-cology of Innovative Practice; Notes; Glossary.
Summary: In this revolutionary and highly original work, poet-scholar Glazier investigates the ways in which computer technology has influenced and transformed the writing and dissemination of poetry. In Digital Poetics, Loss Pequeño Glazier argues that the increase in computer technology and accessibility, specifically the World Wide Web, has created a new and viable place for the writing and dissemination of poetry. Glazier's work not only introduces the reader to the current state of electronic writing but also outlines the historical and technical contexts o.
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Print version record.

Acknowledgments; Introduction: Language as Transmission; Sidebar: On Techne; 1. Jumping to Occlusions: A Manifesto for Digital Poetics; 2. Our Words; Sidebar: The "I" in "Internet"; 3. Home, Haunt, Page; 4. The Intermedial: A Treatise; 5. Hypertext/Hyperpoeisis/Hyperpoetics; 6. Coding Writing, Reading Code; Sidebar: On Mouseover; 7. E-poetries: A Lab Book of Digital Practice, 1970-2001; 8. Future Tenses/Present Tensions: A Prospectus for E-poetry; Sidebar: Tin Man Weeps Straw Break; Epilogue. Between the Academy and a Hard Drive: An E-cology of Innovative Practice; Notes; Glossary.

Works CitedIndex.

In this revolutionary and highly original work, poet-scholar Glazier investigates the ways in which computer technology has influenced and transformed the writing and dissemination of poetry. In Digital Poetics, Loss Pequeño Glazier argues that the increase in computer technology and accessibility, specifically the World Wide Web, has created a new and viable place for the writing and dissemination of poetry. Glazier's work not only introduces the reader to the current state of electronic writing but also outlines the historical and technical contexts o.

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