Reframing Italy : new trends in Italian women's filmmaking / Bernadette Luciano and Susanna Scarparo.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 9781612492957
- 1612492959
- 9781612492964
- 1612492967
- Women motion picture producers and directors -- Italy
- Women in the motion picture industry -- Italy
- Motion pictures -- Italy
- Women in motion pictures
- Motion pictures and women -- Italy
- Productrices et réalisatrices de cinéma -- Italie
- Femmes dans l'industrie cinématographique -- Italie
- Cinéma -- Italie
- Femmes au cinéma
- Cinéma et femmes -- Italie
- PERFORMING ARTS -- Reference
- LITERARY CRITICISM -- European -- Italian
- PERFORMING ARTS -- Film & Video -- History & Criticism
- Motion pictures
- Motion pictures and women
- Women in motion pictures
- Women in the motion picture industry
- Women motion picture producers and directors
- Italy
- Filmregisseurin
- Italien
- 791.43/6522 23
- PN1995.9.W6 L73 2013eb
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
In recent years, Italian cinema has experienced a quiet revolution: the proliferation of films by women. But their thought-provoking work has not yet received the attention it deserves. Reframing Italy fills this gap. The book introduces readers to films and documentaries by recognized women directors such as Cristina Comencini, Wilma Labate, Alina Marazzi, Antonietta De Lillo, Marina Spada, and Francesca Comencini, as well as to filmmakers whose work has so far been undeservedly ignored. Through a thematically based analysis supported by case studies, Luciano and Scarparo argue that Italian women filmmakers, while not overtly feminist, are producing work that increasingly foregrounds female subjectivity from a variety of social, political, and cultural positions. This book, with its accompanying video interviews, explores the filmmakers' challenging relationship with a highly patriarchal cinema industry. The incisive readings of individual films demonstrate how women's rich cinematic production reframes the aesthetic of their cinematic fathers, re-positions relationships between mothers and daughters, functions as a space for remembering women's (hi)stories, and highlights pressing social issues such as immigration and workplace discrimination. This original and timely study makes an invaluable contribution to film studies and to the study of gender and culture in the early twenty-first century.
Includes bibliographical references and index.
Includes filmography.
Introduction -- The "girls" are watching us: reconsidering the neorealist child protagonist -- Reconfiguring the mother-daughter relationship -- Reinventing our mothers: gendering history and memory -- Migration and transnational mobility -- Women at work: negotiating the contemporary workplace -- Conclusion: framing the film industry.
Print version record.
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