The practice of practising / Alessandro Cervino [and others].

Contributor(s):

Cervino, Alessandro

Material type: Text

TextSeries: Collected writings of the Orpheus Institute. Subseries Orpheus Research Centre in Music ; ; 04.Publisher: Leuven : Leuven University Press, [2011]Copyright date: ©2011Description: 1 online resource (91 pages) : illustrations, musicContent type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9789461661234
9461661231

Subject(s): Genre/Form:

Additional physical formats: Print version:: Practice of practisingDDC classification:

780 22

LOC classification:

MT170 .P71 2011eb

Online resources:

Click here to access online

Contents:

A self-study of learning the prelude from Bach's Suite no. 6 for cello solo : comparing words and actions / Tania Lisboa, Roger Chaffin, Topher Logan -- Peformer's harmony : towards a performance of Elliott Carter's Piano sonata / Alessandro Cervino -- Morton Feldman's late piano music : experimentalism in practice / Catherine Laws -- Alfred Schnittke's Piano trio : learning and performing / Maria Lettberg.

Summary: The process of practising is intrinsic to musical creativity. Practising may primarily be thought of as technical, but it is often also musically meaningful, including elements of interpretation, improvisation, and/or composition. The practice room can be a space in which to explore a field of creative possibilities; a place to experiment and to refine ideas. "The practice of practising" is primarily concerned with considering practising as a practice in itself: a collection of processes that determines musical creativity and significance. The volume comprises four diverse case studies, in relation to music by J.S. Bach, Elliott Carter, Alfred Schnittke, and Morton Feldman, presenting both solo and ensemble perspectives.

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Item type	Home library	Collection	Call number	Materials specified	Status	Date due	Barcode
Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Includes bibliographical references.

The process of practising is intrinsic to musical creativity. Practising may primarily be thought of as technical, but it is often also musically meaningful, including elements of interpretation, improvisation, and/or composition. The practice room can be a space in which to explore a field of creative possibilities; a place to experiment and to refine ideas. "The practice of practising" is primarily concerned with considering practising as a practice in itself: a collection of processes that determines musical creativity and significance. The volume comprises four diverse case studies, in relation to music by J.S. Bach, Elliott Carter, Alfred Schnittke, and Morton Feldman, presenting both solo and ensemble perspectives.

Print version record.

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