Grotesque ambivalence : melancholy and mourning in the prose work of Albert Drach / Mary Cosgrove.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 9783110934205
- 3110934205
- Drach, Albert, 1902-1995 -- Criticism and interpretation
- Drach, Albert, 1902-1995
- Drach, Albert
- Ambivalence in literature
- Melancholy in literature
- Ambivalence dans la littérature
- Mélancolie dans la littérature
- LITERARY CRITICISM -- European -- German
- Ambivalence in literature
- Melancholy in literature
- Das Groteske
- Melancholie
- Erzähltechnik
- Fictie
- Autobiografieën
- Het Groteske
- Prosa
- 838/.91409 22
- PT2664.R3 Z625 2004eb
- 18.09
- digitized 2010 HathiTrust Digital Library committed to preserve
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Originally presented as the author's thesis (doctoral)--University of Dublin, 2002.
Includes bibliographical references and index.
Print version record.
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Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. MiAaHDL
http://purl.oclc.org/DLF/benchrepro0212
digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL
The first English language study of Albert Drach's (1902-1995) prose work explores the originality of Drach's autobiography in the context of current Holocaust debates. Special attention is paid throughout to the relationship between Drach's comic-grotesque language and the melancholy mode of representation in the Holocaust trilogy. Both passionate and critical, Drach's prose lays bare the totalitarian power mechanisms of his time.
Chapter 1. Introduction; 1.1 Albert Drach: Revolutionary Poet and Bearer of Death; 1.2 "O Ophelia": The Encounter with the Cadaver; 1.3 Status Nascendi versus Status Quo: In defence of Nature Morte; 1.4 Positions; 1.5 The Child in Flight; Chapter 2. The Grotesque: Topography of Transgression, Morphology of Emptiness; 2.1 Body Language; 2.2 An Entire Thematics of Mortality and Vitality; 2.3 Subterranean Spaces; Chapter 3. Grotesque Discourses: Mourning and Melancholia; 3.1 Constellation of Cross-Contamination; 3.2 From System to Process: The Semiotic, the Symbolic and the Thetic
3.3 Anaphora of NothingChapter 4. Floating Documents; 4.1 The Protokoll: Epic of the In-Between; 4.2 Outside the Text: Creating the Catachrestic Space; Chapter 5. Ex-centrics, Evil Eyes and Missing Persons: The Optics of Mimicry in Das Goggelbuch; 5.1 Grotesque Surplus: Mimic Man; 5.2 Representing the In-Between: The Secret Art of Invisibility; 5.3 Fallible Frames; 5.4 Aphanisic Faders; Chapter 6. "Z. Z." das ist die Zwischenzeit: Paralysis of the Powerless; 6.1 Diverging Paths: A Theoretical Re-evaluation; 6.2 Writing Apotheosis; 6.3 In the Shadow of the Egocrat: A Micro-Physics of Power
6.4 The Ventriloquist's DummiesChapter 7. The Time of Evil Children; 7.1 The Spectre of Absolute Negation; 7.2 Divine Intoxication: Simulating Infantile Sovereignty; 7.3 Infernal Sobriety: Apotheosis of the Eternal Present; 7.4 Contours of the Culpable; 7.5 Suffer Little Children; Conclusion. Concentration Camps of the Mind and the Child in Flight; Bibliography; Index; Acknowledgements
English.
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