Patterns in Shakespearian tragedy / Irving Ribner.

By:

Ribner, Irving [author.]

Material type: Text

TextSeries: Routledge library editions. Shakespeare.Publisher: London : Routledge, 2004Description: 1 online resource (224 pages)Content type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781136568817
1136568816
0415353262
9780415353267
9781315018669
1315018667

Subject(s):

Genre/Form:

Additional physical formats: Print version:: Patterns in Shakespearian tragedyDDC classification:

822.3/3 22

LOC classification:

PR2983 .R53 2004eb

Online resources:

Click here to access online

Contents:

Cover; Half-title; Title Page; Copyright Page; Original Title Page; Original Copyright Page; Dedication; Table of Contents; Preface; 1. Introduction; 2. Senecan Beginnings: Titus Andronicus, Richard III, Romeo and Juliet; 3. Historical Tragedy: King John, Richard II, Julius Caesar; 4. The Pattern of Growth: Hamlet; 5. The Pattern of Moral Choice: Othello; 6. The Pattern of Regeneration: King Lear; 7. The Operation of Evil: Timon of Athens and Macbeth; 8. The Final Paradox: Antony and Cleopatra and Coriolanus; Index.

Summary: First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama.

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Holdings
Item type	Home library	Collection	Call number	Materials specified	Status	Date due	Barcode
Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Reprint. Originally published: London : Methuen, 1960.

Online resource; title from pdf information screen (Ebsco, viewed Nov. 19, 2013).

Includes bibliographical references and index.

First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama.

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