Phantasmatic Knowledge : Visions of the Human and the Scientific Gaze in English Literature, 1880-1930.
Material type: TextSeries: Anglistische Forschungen - Band 436Publication details: Heidelberg : Universitätsverlag Winter, 2013.Description: 1 online resource (178 pages)Content type:- text
- computer
- online resource
- 3825374025
- 9783825374020
- Literature and anthropology
- English literature -- 19th century -- History and criticism
- English literature -- 18th century -- Criticism and interpretation
- English literature -- 19th century -- Criticism and interpretation
- Identity in literature
- Littérature et anthropologie
- Littérature anglaise -- 19e siècle -- Histoire et critique
- English literature
- Literature and anthropology
- 1800-1899
- 808.59
- PR468.I33 .S384 2013
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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Electronic-Books | OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Acknowledgements; Introduction: on Reading Faces; I. Borders of the Human: Making a Case; Epistemological Prologue I: Case Studies; 1 Normalisation and Monstrosity: the 'Elephant Man'; 2 Cultural Pathologies: the "Making of ..." Jack the Ripper; 3 Cases and Experiments: Jekyll and Hyde; II. Victorian Visualities: Being (in) the Picture; Epistemological Prologue II: Photographic Optimism; 4 Family Likeness, Heredity and Visuality: R.L. Stevenson's "Olalla"; 5 Seriality and the Artist's Gaze: Thomas Hardy's ""The Well-Beloved""
6 Ancient Wisdom versus Modern Knowledge: the Return of the MummiesEpilogue: Literary Knowledge; Bibliography; Picture Credits; Register.
Hauptbeschreibung 'Phantasmatic Knowledge' investigates changing anthropological visions as they were negotiated in late Victorian and early twentieth century literature. It starts from the assumption that in nineteenth century scientific discourse, a human being can only be accepted as fully human if it is visually perceived as human. One of the scientific genres to 'produce' and normalize man in the late nineteenth century is the case study, so the first part of the book analyses three notorious 'cases' of late Victorian London, Joseph Merrick, the so-called ""Elephant Man"", Jack the Ripper.
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