Signs of music : a guide to musical semiotics / by Eero Tarasti.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 9783110899870
- 3110899876
- 3110172267
- 9783110172263
- Music -- Philosophy and aesthetics
- Music -- Semiotics
- Symbolism in music
- Sémiotique et musique
- Musique -- Philosophie et esthétique
- Symbolisme dans la musique
- MUSIC -- Genres & Styles -- Classical
- MUSIC -- Reference
- Music -- Philosophy and aesthetics
- Music -- Semiotics
- Symbolism in music
- Musikalische Semiotik
- Semiotiek
- Muziek
- 780/.1/4 21
- ML3845 .T348 2002eb
- 24.75
- 24.43
- digitized 2010 HathiTrust Digital Library committed to preserve
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references (pages 201-217) and index.
Print version record.
Music as sign -- Is music sign? -- Music as semiotic: A historical perspective -- Peirce, Greimas, and music-semiotic analysis -- Understanding / misunderstanding musical signs -- Theses on understanding / misunderstanding musical signs -- Theses on processes of understanding -- Signs in music history, history of music semiotics -- Signs in music itself -- Romanticism -- Modernism -- History of musical scholarship in the light of semiotics -- Main lines in the development of musical semiotics -- Signs as acts and events: On musical situations -- Situation as communication and signification -- Situation as act and event -- Situations as intertextuality -- Articulation of situations -- Gender, biology, and transcendence -- Metaphors of nature and organicism in music: A "biosemiotic" approach -- On the musically organic -- Sibelius and the idea of the "organic" -- Organic narrativity -- The emancipation of the sign: On corporeal and gestural meanings in music -- Body and transcendence in Chopin -- Are corporeal signs iconic? -- Are corporeal signs indexical? -- Analysis -- Social and musical practices -- Voice and identity -- Voice and signification -- Text -- Transcendence -- Orality -- Singing as social identity -- National voice types -- Gender -- Education -- Empirical methods -- On the semiosis of musical improvisation: From Mastersingers to Bororo indians -- Musical improvisation and semiotics -- Improvisation as communication -- Improvisation as signification: A peircean view.
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Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. MiAaHDL
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digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL
Annotation Eight essays and articles Finish scholar Tarasti has mostly written since his 1994 </Theory of Musical Semiotics/> trace his development of a new philosophical theory called existential semiotics. He intends them to provide a practical guide to studying music as sign and communication, combining his own ideas with those of recent musicology in general. They cover music as sign; gender, biology, and transcendence; and social and musical practices. Only names are indexed. Annotation c. Book News, Inc., Portland, OR (booknews.com).
English.
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