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Performing Salome, revealing stories / edited by Clair Rowden.

Contributor(s): Material type: TextTextSeries: Ashgate interdisciplinary studies in operaPublisher: Farnham, Surrey ; Burlington, VT : Ashgate, [2013]Copyright date: ©2013Description: 1 online resource (244 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781317082262
  • 1317082265
  • 9781409445685
  • 1409445682
  • 9781409474227
  • 1409474224
Subject(s): Genre/Form: Additional physical formats: Print version:: Performing Salome, revealing stories.DDC classification:
  • 809.2/9351 23
LOC classification:
  • ML410.S93 P34 2013eb
Online resources:
Contents:
Cover; Contents; List of Figures; List of Plates; Notes on Contributors; Series Editor's Preface; Acknowledgements; Introduction: Performing Salome, Revealing Stories; 1 Decadent Senses: The Dissemination of Oscar Wilde's Salomé across the Arts; 2 Visions of Salome, Visions of Wilde: Critical Readings of Oscar Wilde's Salome in Early Twentieth-Century Vienna; 3 Whose/Who's Salome? Natalia Trouhanowa, a Dancing Diva; 4 Salome's Slow Dance with the Lord Chamberlain, London 1909-10; 5 Seven Veils, Seven Rooms, Four Walls and Countless Contexts; 6 The Dirt on Salome.
7 Outrageous Salome: Grace and Fury in Carmelo Bene's Salomè and Ken Russell's Salome's Last DanceBibliography; Index.
Summary: This volume explores Salome's appropriation and reincarnation across the arts - not just Wilde's heroine, nor Richard Strauss's - but Salome as a cultural icon in fin-de-siècle society, whose appeal for ever new interpretations of the biblical story still endures today. Using Salome as a common starting point, each chapter suggests new ways in which performing bodies reveal alternative stories, narratives and perspectives, and offer a range and breadth of source material and theoretical approaches. Rowden develops case studies dealing with censorship, reception, authorial reputation, appropria.
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Print version record.

Includes bibliographical references and index.

Cover; Contents; List of Figures; List of Plates; Notes on Contributors; Series Editor's Preface; Acknowledgements; Introduction: Performing Salome, Revealing Stories; 1 Decadent Senses: The Dissemination of Oscar Wilde's Salomé across the Arts; 2 Visions of Salome, Visions of Wilde: Critical Readings of Oscar Wilde's Salome in Early Twentieth-Century Vienna; 3 Whose/Who's Salome? Natalia Trouhanowa, a Dancing Diva; 4 Salome's Slow Dance with the Lord Chamberlain, London 1909-10; 5 Seven Veils, Seven Rooms, Four Walls and Countless Contexts; 6 The Dirt on Salome.

7 Outrageous Salome: Grace and Fury in Carmelo Bene's Salomè and Ken Russell's Salome's Last DanceBibliography; Index.

This volume explores Salome's appropriation and reincarnation across the arts - not just Wilde's heroine, nor Richard Strauss's - but Salome as a cultural icon in fin-de-siècle society, whose appeal for ever new interpretations of the biblical story still endures today. Using Salome as a common starting point, each chapter suggests new ways in which performing bodies reveal alternative stories, narratives and perspectives, and offer a range and breadth of source material and theoretical approaches. Rowden develops case studies dealing with censorship, reception, authorial reputation, appropria.

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