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Entangled subjects : indigenous/Australian cross-cultures of talk, text, and modernity / Michèle Grossman.

By: Material type: TextTextSeries: Cross/cultures ; 158.Publication details: Amsterdam ; New York, NY : Rodopi, 2013.Description: 1 online resource (xxxvii, 350 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9789401209137
  • 9401209138
Subject(s): Genre/Form: Additional physical formats: Print version:: Entangled subjects.DDC classification:
  • 305.89915 23
LOC classification:
  • DU124.S64 G76 2013eb
Online resources:
Contents:
Introduction: when they write what we read -- Unsettling subjects: critical perspectives on selves in writing and writing selves -- (Re)Writing histories: the emergence and development of Indigenous Australian life-writing -- 'The pencil and the mouth': anthropology, orality, literacy, and modernity -- 'A tape-recorder and an editor': the politics and practices of cross-cultural collaborative text-making -- Crowded house: Galarabulu: stories of the West Kimberley -- Troubling relations: Nyibayarri: Kimberley tracker, Ingelba and the five black matriarchs, and The sun dancin' -- Fighting with our tongues, fighting for our tongues: Warlpiri karnta karnta-kurlangu yimi/Warlpiri women's voices: our lives, our history and Auntie Rita -- Conclusion: reading the word, reading the world: re-reading orality, literacy, and modernity.
Summary: Indigenous Australian cultures were long known to the world mainly from the writing of anthropologists, ethnographers, historians, missionaries, and others. Indigenous Australians themselves have worked across a range of genres to challenge and reconfigure this textual legacy, so that they are now strongly represented through their own life-narratives of identity, history, politics, and culture. Even as Indigenous-authored texts have opened up new horizons of engagement with Aboriginal knowledge and representation, however, the textual politics of some of these narratives - particularly when c.
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Includes bibliographical references (pages 307-329) and index.

Introduction: when they write what we read -- Unsettling subjects: critical perspectives on selves in writing and writing selves -- (Re)Writing histories: the emergence and development of Indigenous Australian life-writing -- 'The pencil and the mouth': anthropology, orality, literacy, and modernity -- 'A tape-recorder and an editor': the politics and practices of cross-cultural collaborative text-making -- Crowded house: Galarabulu: stories of the West Kimberley -- Troubling relations: Nyibayarri: Kimberley tracker, Ingelba and the five black matriarchs, and The sun dancin' -- Fighting with our tongues, fighting for our tongues: Warlpiri karnta karnta-kurlangu yimi/Warlpiri women's voices: our lives, our history and Auntie Rita -- Conclusion: reading the word, reading the world: re-reading orality, literacy, and modernity.

Print version record.

Indigenous Australian cultures were long known to the world mainly from the writing of anthropologists, ethnographers, historians, missionaries, and others. Indigenous Australians themselves have worked across a range of genres to challenge and reconfigure this textual legacy, so that they are now strongly represented through their own life-narratives of identity, history, politics, and culture. Even as Indigenous-authored texts have opened up new horizons of engagement with Aboriginal knowledge and representation, however, the textual politics of some of these narratives - particularly when c.

English.

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