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On the sleeve of the visual : race as face value / Alessandra Raengo.

By: Material type: TextTextSeries: Interfaces, studies in visual culturePublisher: Hanover, New Hampshire : Dartmouth, [2013]Copyright date: ©2013Description: 1 online resource (xiii, 232 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 1299558895
  • 9781299558892
  • 9781611684490
  • 1611684498
Subject(s): Genre/Form: Additional physical formats: Print version:: On the sleeve of the visual.DDC classification:
  • 305.896 23
LOC classification:
  • P94.5 .B55 R34 2013
Online resources:
Contents:
The photochemical imagination -- On the sleeve of the visual -- The money of the real -- The long photographic century -- Conclusion : in the shadow.
Summary: In this work of critical theory, Black studies, and visual culture studies, the author reads race as a theory of the image. By placing emphasis on the surface of the visual as the repository of its meaning, race presents the most enduring ontological approach to what images are, how they feel, and what they mean. Having established her theoretical concerns, the author's eclectic readings of various artifacts of visual culture, fine arts, cinema, and rhetorical tropes provoke and destabilize readers' visual comfort zone, forcing them to recognize the unstated racial aspects of viewing and the foundational role of race in informing the visual. -- Back cover.
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In this work of critical theory, Black studies, and visual culture studies, the author reads race as a theory of the image. By placing emphasis on the surface of the visual as the repository of its meaning, race presents the most enduring ontological approach to what images are, how they feel, and what they mean. Having established her theoretical concerns, the author's eclectic readings of various artifacts of visual culture, fine arts, cinema, and rhetorical tropes provoke and destabilize readers' visual comfort zone, forcing them to recognize the unstated racial aspects of viewing and the foundational role of race in informing the visual. -- Back cover.

The photochemical imagination -- On the sleeve of the visual -- The money of the real -- The long photographic century -- Conclusion : in the shadow.

Includes bibliographical references and index.

Print version record.

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