Cutting performances : collage events, feminist artists, and the American avant-garde / James M. Harding.
Material type:
TextSeries: Theater--theory/text/performancePublication details: Ann Arbor : University of Michigan Press, ©2010.Description: 1 online resource (ix, 222 pages)Content type: - text
- computer
- online resource
- 9780472029006
- 0472029002
- 792.02/2 22
- PN2193.E86 H37 2010
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Electronic-Books
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references and index.
Toward a feminist historiography of American avant-garde performance: theories and contexts -- Nude descending Bleecker Street: Baroness Elsa Von Freytag-Loringhoven and performing gender in New York dada -- Avant-garde performance, collage aesthetics, and feminist historiographies in Gertrude Stein's the mother of us all -- Between material and matrix: Yoko Ono's cut piece and the unmaking of collage -- Between dialectics, decorum, and collage: sabotaging Schneemann at the Dialectics of Liberation Congress, London 1967 -- Forget fame: Valerie Solanas, the simplest surrealist act, and the (re)assertion of avant-garde priorities -- Conclusion: Collage and community.
Print version record.
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