The déjà-vu and the authentic : reprise, recycling, recuperating in anglophone literature and culture / edited by Jean-Jacques Chardin.

Text in English and French.

Includes bibliographical references and index.

Print version record.

TABLE OF CONTENTS; INTRODUCTION; PART I; TRANSGENERIC AND TRANSCULTURAL RECYCLING IN JONATHAN DOVE'S THE ADVENTURES OF PINOCCHIO; LES YOUNG BRITISH ARTISTS OU L'IMPOSTURE DU NEO POP; IN OUR IMAGE, AFTER OUR LIKENESS THE BIBLE IN SOME CONTEMPORARY BRITISH NOVELS; LE FILM COMME TOMBEAU; PART II; DÉJÀ-VU WITH A TWIST; "A MAGICAL TRANSLATION"; BACK TO THE FUTURE, FORWARD TO THE PAST -- JASPER FFORDE'S RECONSTRUCTION OF JANE EYRE AND THE LITERARY CANON; LE PASTICHE REVISITÉ; BASS CULTURE; INVISIBILITY AND THE SURPASSING OF ETHNIC AUTHENTICITY; A TOOL FOR DIGGING; PART III.

FROM DISAVOWAL TO IDENTIFICATIONRE-USING THE CONCEPT OF "PAKISTAN"; LOST AND FOUND; GEORGE HERBERT'S ANGLICAN RECYCLING; JOHN MILTON, THE RECYCLER RECYCLED; THE SPHERE WHICH IS AS MANY THOUSAND SPHERES; LIST OF CONTRIBUTORS; INDEX.

The correlated concepts of the déjà-vu and the authentic suggest that all cultural productions are per se palimpsests whose construction is the result of such processes as reprise, recycling, and recuperating. Reprise is approached as various forms of cit.

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